Convergent Series

learning, using & teaching metal clay, and other aspects of life

Contrasting Textures in a Design

Posted by C Scheftic on 2012/07/10

In my last post I said, about the design of a ring with a butterfly sort of camouflaged against some roses, “I know that the butterfly would stand out more from the flowers if I’d used textures with more contrast.” When I teach, I try to take a few sample pieces to illustrate such a statement, so I thought I’d post a couple of those here too.

Regular readers of this blog will know that I tend to make pieces I consider to be “reversible” ones. One side may well be more “striking” than the other but, even with those, I figure that there are days when a person may want a look that is more or less flashy. Both of the pieces illustrating this post are examples of the “other” side of a piece (so you may see them again at some point if / when I choose to talk about other aspects of their construction.). But both of them illustrate how a simple variation in the texture can help an embellishment to stand out.

The first piece, in bronze, shows a dragonfly with a simple “sandpaper” texture floating over a span of leaves and tendrils. In this case, the colors are simply from “the luck of the kiln” although, if I wanted, I could further differentiate the dragonfly foreground from the leafy background by polishing one and leaving the other untouched. (I’m actually still thinking about whether I may do that.)

The second piece, in fine silver, shows a butterfly with a “smooth” finish impressed into a span of cattails. The liver-of-sulphur (“LOS”) patina that gave me some nice blue edges also helps with the differentiation.

In both cases, the relative plainness of the insect shapes help them to stand out a bit from the deeper textures of the vegetation. Of course, one could also do this the other way ’round, say, with a highly-textured insect on a leaf-shape with just a bit of simple veining.

Hmmm, maybe I’ll make a few of those the next time I go on a pollinator-design binge.


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