Convergent Series

learning, using & teaching metal clay, and other aspects of life

Archive for August 6th, 2012

Sometimes I compare beading to framing….

Posted by C Scheftic on 2012/08/06

Much of the time, on this blog, I show a piece when I’ve completed the cycle of converting it from the “raw” form (metal that feels like clay) into its “finished” state (hard metal). With earrings, of course, I’ll show those complete, meaning connected to earwires (or posts or clips or…); that is, ready to wear. But I often will post here photos of pendants in a very plain state: just sitting there or, at most, strung on a simple cord of some sort. In this context—that is, since this is a ‘blog that’s mostly about using metal clay techniques—that seems appropriate to me.

And, sometimes, I actually offer them for sale that way. Why? Well, to me, there’s a lot of “artistry” in that main piece. While I do hang pendants so that they are wearable immediately, I don’t see why I should force everyone to buy an expensive chain or other fancy decorations simply so they can own a piece of my art jewelry. What if they like the main piece but not the other doo-dads? What if they already have a wonderful chain or necklace that they think would complement my little piece of metal art? Many of my beading-friends see my simply-strung pieces as incomplete. While I understand that their artistry is in their beading, and appreciate it for what they can do, I just don’t think every piece needs that double-dose of artistry (both in the focal bead and in the hanging mechanism). It’s almost like I see myself as I view a print-maker, photographer, or other 2-D artist, for example, who offers a number of pieces simply matted. I’ve bought plenty of those over the years, and then framed them as I want (keeping or even changing the original matte board) so it will fit in where I want to hang it.

Of course, those same 2-D artists will also have a select number of items available that are not just matted, but also framed and ready to hang. I have bought a few of those (though, nowhere near as many as I have un-framed) and I do offer a few pendants hung on something a bit more elaborate. I try to do that in such a way that the beading or chain complements the focal piece without competing with it: trying to find the right balance between adding an interesting touch without going overboard. So I thought I’d wrap up my recent round of reporting on the “push” pendants, for the moment at least, by showing what I ended up doing with (adding to) a couple of those pieces.

In closing, I will ask: do you agree or disagree with my comparison of hanging pendants to framing pictures? Answers, and other comments, are welcome!

Advertisements

Posted in General Techniques | Tagged: , , , | 4 Comments »

 
%d bloggers like this: