Two More Hollow Beads
Posted by C Scheftic on 2013/08/31
Well, let me start with the armatures. In the first photo, you can see two oval-dome parts of a graduated, five-part “doming plate” that is sold specifically for use with metal clays. (This one actually belongs to a friend, who won it in an online contest!) Below that is a square, blue, glass “rock” that is sold in the floral-arranging section of a craft store. (That is mine, one of three I found in the back of a drawer in a house I rented for a while. I liked their sea-blue color.)
The first piece shown here, reversible with both sides in the photo to the right, was made with the glass rock. I covered it with a plain layer of bronze clay, let that dry, cut it open to remove the rock, and pasted the two parts back together again. Once that seam had dried, I then covered it with what I thought of as three different “blankets” — each with a different woven texture using a different metal (all from Hadar’s Quick Fire clay powders). The first layer was bronze which, when fired, had a lovely sort of blanket-y color that I left alone. The next layer (the wavy weave) is rose bronze, and the outermost later (a straight weave design) is copper. I did them in that order because I’ve found that copper layered over bronze, with air-filled gaps in between, sometimes alloys into odd colors. The rose bronze serves as a sort of buffer to help avoid that. (And, I just like the color of the rose bronze metal!) Both the rose bronze and copper were polished with radial bristle disks and silicone wheels to bring out their shine.
The second piece shown here, also reversible, with both sides in the image to the left, is all bronze, and was made with the second-largest shape on the doming plate, with some additions. First of all, I cut a flat oval shape just a bit larger than the dome. I let that dry, attached the dome, and dried it yet again. Then I rolled out a thin, textured layer and “draped” that over the other side of the flat oval. I used a straw to prop open a place near the top, to serve as a bail, trimmed the rest to match the oval, and let it dry one more time. After cleaning it up a bit, I fired it. I decided to polish this piece using the same tools as I had on the “blanketed rock” piece.
Although these are both relatively simple pieces, they illustrate one of the things I find so very engaging about working with metal clay: the wide range of creativity it brings out, not just in the designs one ends up making, but also in the range of items one can either find or adapt to use as “tools” to aid in the making. Maybe I can remember to show more of those over the next few weeks. In the meantime, feel free to leave a comment describing other such items in your “tool” stash!
This entry was posted on 2013/08/31 at 10:00 and is filed under General Techniques, Technical Details. Tagged: Art Clay, draping, fine silver, Hadar's Clay, hollow beads, metal clay, PMC. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.