Convergent Series

learning, using & teaching metal clay, and other aspects of life

Another Anniversary: Four Years … and Another Open House!

Posted by C Scheftic on 2014/10/09

Yes, the room has evolved a bit over the years! This is what it looked like at the beginning of October, four years ago:

And this is what it looked like at the start of October this year, set up the way I tend to have it when I’m working there on my own:

The table in the middle, to the right with a bright blue tablecloth on it is where I work with base metal clays (i.e., bronze, copper, steel), while the one to the left with a white tablecloth is where I work on precious metals (e.g., fine silver or gold). I spent my early metal clay years (back when the only options were among the precious metal varieties) working on a single “TV tray table” in my family room, but now I just love having the space to work that way: it just seems practical to me, as a way to help me remember which clay I’m working on and whether I have to clean off a tool if it’s coming from the “other” table, to avoid cross-contamination. (There’s nothing special about the colors, just that they differ. When I teach a workshop using all one kind of clay, both tables get covered in the same color, and tools can move across without giving it a second thought….) The “CD cabinets” with all the little cubbies behind those work-tables are segregated by metal-type: when I put things away, they go on the side where they were last used. Or, if I’ve already cleaned them up and they can go anywhere next, there’s space designated for that too….

Ahhh, but which side do you think I use when I’m working with sterling silver, since sterling is an alloy of silver and copper? (Leave your guess as a comment on this post!)

Except, right now, I’m not working with metals. I’m trying to clean the room up a bit, put away all the tools (a good excuse to look at the set-up and decide if I need to rearrange few more things), and turn it into my “shop” layout:

Because EcoFest will be happening all over the community center this Saturday, which is an excuse for me to hold an Open House. Here’s an example: two new bronze pieces I’ll have available:

(Sorry for the harsh color of that last photo. In person, they’re still bright but somehow much “softer” in color. Two of my overhead lights are out, one of my photo-station lights went out. (I’d bought a two-pack, so I tried to use the other one, and it’s not working at all either… And, no, it’s not the lamp. I tried the bulbs in a different lamp that I know is working, and they don’t turn on there either.) I’ve been drowning in different deadlines the past few weeks, and I just haven’t had time to deal with specialized light bulbs. And I still have a backlog of PMC Flex pieces to finish, fire, polish, and write about.

If you’re in the SW Pa area on Saturday, October 11, though, do stop by and I’ll be happy to show you what-all I have finished and what-else is in the works. I’ll be there from 10 am to 2 pm. Even if you can’t get to my studio on Saturday, you’d also be welcome to come to the next meeting of the Western PA Metal Clay Guild on Sunday, October 26, from 11:30 am until around 3 pm. I do have to finish off some of the Flex pieces by then, because that’s when I’d promised to do some demos and, if folks want, hold a mini-workshop on Flex. That won’t be in my studio, though; it’ll be in the Art Room at Rodef Shalom (in the Oakland neighborhood, near Carnegie Mellon). One place or another, for those near here I hope to see you; or, for everyone, at least, to hear from you….

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3 Responses to “Another Anniversary: Four Years … and Another Open House!”

  1. I like your display set up Carol. Nice flow and your china cabinet is great in your studio. How will we ever be able to leave our studios…… we have so much. Oh, and I bet you work with sterling on your copper table.

    • C Scheftic said

      Thanks, Alice. And, good guess! Actually, though, it was a trick question… I sort of can’t decide. I tend to work down at the very end of my silver side. In theory, I could just grab tools I’d used on copper but, while I don’t mind mixing tiny bits of copper and bronze, I really don’t want to risk contaminating my silver (fine or sterling) with bronze. So, I figure, working on the silver side will remind me to check for bronze on any tools I may grab from that side. Probably more important, though, is that I try to keep track of everything I use during a session with sterling silver, and make sure I clean that up before placing it back on either side of the table. Is that a bit obsessive, or good prudence, or what?

  2. C Scheftic said

    Thanks so much to everyone who came upstairs to the Open House!

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