Convergent Series

learning, using & teaching metal clay, and other aspects of life

This weekend: the nineteenth Art All Night!

Posted by C Scheftic on 2016/04/23

Yes, once again, the last weekend in April brings us the wonderful community celebration of art that is known as Art All Night.

For this, the nineteenth such event, they’ve returned to switching locations again (hey, it’s a project of the Lawrenceville Development Corporation so besides all the art, part of the point is to get tens of thousands of people circulating through an “empty” site in the hopes that someone will see its potential…!), so I’m eager to see what this one will be like.

Though I had finally gotten comfortable with finding my way to, finding parking relatively near, and finding my way back out of the site they’ve used for the last few years, it’ll be interesting to see what it’s like down on the other side of the 40th Street bridge this year. It’ll also be fun to see all the entries.

I submitted a “woven textured silver” piece that I made, originally, as a sample piece for a workshop at The Artsmiths of Pittsburgh. Entering it for Art All Night is sort of a full-circle thing, because I made my first woven silver pieces in 2008, with the clay I’d used while doing my first-ever public demonstrations anywhere that used metal clay, and that was at Art All Night. (Talk about starting big!) I’d over-worked and over-lubricated the clay in the many hours of demos, and I’d heard it might be possible to salvage it by adding some glycerin although the resulting clay would then not harden as it dried but remain flexible … so the obvious thing to try with that was weaving. I’ve made such pieces off an on over the years since then, but I’ve never before entered one in Art All Night. So it seemed about time to do that!

Except this piece, instead of being made from salvaged clay, was made from a mix of fresh clays, PMC Flex and PMC Sterling, to yield a form of sterling silver that contains as much as 96% fine silver. Adding the sterling results in a slightly stronger piece: my earlier ones always had solid “frames” around the weaving which made them strong enough, but the sterling in the mix for a structure like this opens up design opportunities: here, it’s safe to let a few of the ends extend outwards at least a little bit for a more “adventurous” result.

I need to thank Kathy Herbst and Louise Rosenfeld for brainstorming names for this piece, along with Manny Rosenfeld who inspired the name I’ve finally decided to give it: The Empress’s Portal. If you’d like to bid on it at Art All Night, it’s #2919. If you’d like to take a class and learn how to make a piece like this, sign up for one at Artsmiths or get in touch with me to request that I organize one at my studio in Regent Square (or even another venue that you arrange for).

In the meantime, if you’re in the Western PA area this weekend, be sure to check out Art All Night! It’s free and open to the public from 4 pm on Saturday, April 23 straight through until 2 pm on Sunday, April 24. And if you’re not here this weekend, at least consider putting the last weekend in April in Pittsburgh on your calendar for next year!

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