Convergent Series

learning, using & teaching metal clay, and other aspects of life

The evolution of two “old favorite” classes!

Posted by C Scheftic on 2016/07/21

It’s time to follow up on an earlier statement, and write a little bit about some upcoming classes. But since this is (what is often called in social media circles) Throwback Thursday, I thought I’d include a few notes on how the ideas and directions for two popular sessions have evolved over time, since I’m repeating them on a couple of Saturday afternoons this month (soon!) and next.

Reversible Draped Silver
Saturday, July 23, 2016 from 1:00 PM to 4:00 PM (EDT)

I must admit that the idea for this came from Hadar Jacobson. I’ve made pieces, and then been asked to teach classes, using both precious metals (silver) and base metals (bronze, copper, steel).

We texture the clay and then roll it thin in order to get it to drape nicely. With .999 fine silver, that produces pieces that seem to me to be a bit too fragile, risking bending or breaking at the thinnest points. We can solve that problem by adding a backing layer, or at least a frame, to provide additional stability.

When we use base metals (like these in bronze and copper), we get pieces that are a bit harder. Thus, most of our pieces can just be folded and embellished. They rarely seem to require extra layers for sturdiness, though of course those can always be added if desired from a design standpoint.

I will admit that I never tried making these with .925 sterling silver: I don’t particularly like fussing with the firing schedule for that clay, and have only used it for a handful of different designs. But last winter I started making these with .960 sterling which is much easier to fire than is the .925 form, and they turned out great. So that’s what we used the last time I offered this as a class, and it’s what we’ll be using again this week.

At this point, we’ll still be using “homemade” .960, that will come from mixing .999 and .925 clays. There is a commercial version now available, EZ960, that’s recently been released. We won’t be using that here simply because I haven’t yet had enough time to experiment with that to feel as comfortable as I’d like using it in a class. I want to learn any and all potential pitfalls with it myself before foisting it on a room full of students! Stay tuned for news in that arena.

Reversible Woven Silver
Saturday, August 27, 2016 from 1:00 PM to 5:30 PM (EDT)

Three Woven Silver Pendants (Class Samples)The way I began to make these pieces, and lead students in making them, has had a number of inspirations. Hadar, again, was one of them, but so were CeCe Wire, a project in the RioRewards certification program, plus a whole range of others (such as some of Mary Hettmansperger’s metal-weaving projects).

Sometimes, as in the silver pieces above, the weaving would be the main element in the design. Other times, as in the mixed-metals piece shown next, the woven portion is more of an accent to another important part of the design. Because of the thin nature of the strips used in the weaves, however, I always made sure that their ends were securely tucked into a frame.

Ahh, but do you remember the .960 silver I just mentioned above? Yes! While I’ll still guide students through some dos and don’ts in letting small ends hang out, we can now be far more adventurous in allowing that. We no longer need to be completely constrained by framing. Again, we can use solid frames if we want that in our designs, but it’s now an option, not a requirement. This class is going to be another one that’s lots of fun!

If you’re in the western PA area, or can get here for one or both of those dates, I hope you’ll join us!

Please note: The links in the title of each session above take you to the site from which you can reserve a seat at that particular class. In each case, the materials provided will be enough to make an interesting pendant. If you want to divide it in half and make earrings instead, that’s fine with me. If you want to buy a bit more material and make something big or even (if you find yourself so comfortable with this material that you are able to work quickly enough to…) make both a pendant and a pair of earrings, that’s yet another option.

Also: I’ve got two other workshops coming up this summer, both of which are multi-day events. I’m hoping to write about those soon too, but the ‘net access in my studio is getting increasingly less reliable (we’re hoping for a fix next month…), so I’m struggling to keep up with online announcements. But you should know that all my workshops at The Artsmiths of Pittsburgh are announced on the Eventbrite system. If you are interested in a specific class but for some reason can’t make it on the given date(s), please let me know. I’m happy to repeat any of my sessions on another date, whether it’s back at Artsmiths again, in my studio, or at another site.

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