Convergent Series

learning, using & teaching metal clay, and other aspects of life

Posts Tagged ‘Arts on the Riverwalk’

2017 Arts on the Riverwalk – please vote!

Posted by C Scheftic on 2017/09/05

UPDATE: Voting ended at 5 pm on September 9. I didn’t mount quite a big enough Facebook campaign (which really isn’t my style anyway) to claim the $100 people’s choice prize but, as of the last time I was able to check (an hour-ish before the deadline), I had garnered well within the top 10% of votes. So I sure do appreciate the support of everyone who took the time to enter a like-vote on my behalf!

(Also, since it no longer matters, I’ve removed the column of notes on the extra quirks of this particular voting process…. The rest of this post remains as originally written.)

Oh, and the exhibit remains on display at The Confluence cafe through October 26.

I’ve got two pieces in the Arts on the Riverwalk competition, and I’d sure appreciate your vote!

Now, I’ll admit, neither of these pieces were originally made with competition in mind… They were designed as samples for two different classes I taught last fall, and my intention was to illustrate specific technical strategies of construction! In my classes, I also point out that sometimes a design will take a while to tell me what it really wants to be; in the case of these two, they have also taken a while to tell me what they want to be called!

2017_0127_AngledSquareNestWithLinks_and_BronzeDrapedLayeredEmbellished_4037


1. In the pair shown here, the piece positioned towards the left, with a silver pendant on a gunmetal chain, is now titled Overflowing Nest. In the class where I taught that, we covered a range of different “nest-style” constructions, plus I threw in a “bonus” on making links. Time constraints meant I could only illustrate using links this way, as a bail, but the same techniques work for making an entire chain. The other interesting thing about this piece is that it was made for one of the first classes I taught using “EZ960” sterling silver metal clay, and it was made entirely from reconstituted “scraps” that were left over from earlier samples. It’s always good to learn how well different clays do or do not reconstitute, and this sample worked wonderfully.

If you’d like to vote for my “Overflowing Nest” piece, please click to find the instructions here.

(Quick mini-lesson on re-use: Like all clays, scraps can get “worn out” after many re-uses. After just a few repeats, if you’ve treated your clay nicely all along, it’ll be fine. But even after it’s had a long or rough time, it can still be salvaged by mixing little bits of “scrap” in with “fresh” clay! This is one of the things I really appreciate about most metal clays!)


2. The piece towards the right, with a bronze pendant on a brass chain, is now called At a Bend in the River. That main part of this one was also made from a scrap! I’d finished the main demonstration on making a rolled bail on a two-sided piece, but there was a question, so I quickly rolled out another piece of clay to use as an illustration while answering. I was a bit distracted while talking about something raised by yet another student, so I didn’t roll it very straight AND I rolled off the edge of one of the texture sheets with clay squishing out. But I looked at it and exclaimed, “What great luck! This piece just told me how it wants to be built!”

I immediately reversed my plan of which side would be the back or the front, because the place where I’d overshot the texture has that lovely angle-into-smooth look that I just had to put on the outside-front, not tucked under in the back. Since the remaining demonstrations I had planned involved layering elements and how to add a fire-able stone (in this case, a peridot-colored cubic zirconia), I made use of the curve of the piece to embellish it with a piece where I could also talk about design issues for centering, or not centering, any embellishments. Ended up being a very interesting, if unplanned, answer to the original question!


If you’d like to vote for my “At a Bend in the River” piece, please click to find the instructions here.


Also, though I don’t have these specific classes scheduled (yet) for this fall in either of my North Hills or South Hills venues, there’s still time to add a workshop or two in my East End studio. So if you’ve been inspired enough by one (or both) of these to want to learn how to make something like that yourself, please let me know and we can talk about our options!

More on other shows, classes, and more, as soon as I find the time for another chance to post here.

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