Convergent Series

learning, using & teaching metal clay, and other aspects of life

Posts Tagged ‘jade’

NHAC 2017 Fall Members Show

Posted by C Scheftic on 2017/09/08

I’m delighted to report that I have three pieces in the current Members Show at the North Hills Art Center! The pieces were hung as they were accepted last week, but the official “opening” of the show is Saturday, September 9, from 7 to 9 pm, and runs through October 6.

As usual for NHAC, the majority of the entries are paintings. But when I dropped off my art jewelry, I did see fiber art, pottery, mixed media assemblages, and more too! A lot of the pieces were made by students of the center so, if you’re curious about that, this show can also give you an idea of what you might be able to learn in the classes there. If you’re in the area, I hope you’ll stop by to check it out! It would, of course, be great to see you at the opening on Saturday but, if you can’t make it then, do go whenever you can.

I’ve already said a few things about each of my entries, separately, in earlier blog or Facebook posts, but I thought I’d assemble a few thoughts on each of them together here. They are all available for purchase at the show.

GWV!

GWV: Give Women the Vote

If you look closely, you may notice that the flowers in this “rose bronze” bracelet are Green (nephrite jade), White (cubic zirconia), and Violet (amethyst). Embellishments in those colors were a code in Edwardian / Art Nouveau times for Give Women the Vote!

This piece was made before either of my other two in this show, but since then I’ve been holding on to it myself. This is the first time I’ve ever really considered putting it up for sale!

Night Moon

Night Moon (front & side views)

As one of the earlier pieces I made with EZ960 after its introduction in 2016, this was made as a class sample, to illustrate the draping/folding process. But it’s notable to me because it’s the first piece I made using only “scraps” from earlier projects. Obviously, that test was successful!

In draping, sometimes the material tells me the shape it wants to form, and that was definitely the case here! The title of Night Moon comes from how, once the piece was completely finished, it suddenly struck me how much it evoked thoughts of a particular night in June of 1988 (a truly wonderful summer!), when I was climbing (well, at that point, descending) Emeishan, one of the four sacred Buddhist mountains in China.

Keystone Wildflower

Urban Flower: Big Keystone (blue-green glass by Elise)

Yes, this is yet another piece from my Urban Flowers series! Like the earlier ones, this pendant was made using sterling (.960) silver for most of the piece, for strength, and in a separate step the dichroic glass cabochon was attached with fine (.999) silver because that form plays better with glass. It hangs on a sterling (.925) silver chain.

The dichro in this piece is a cabochon made by local glass artist, Elise McVeigh. It is also one of the priciest pieces I’ve had in a show in a good while: that is because, at something like 75 mm across, it is one of the largest pieces I’ve made in a good while too! And big uses a lot of silver, so the price simply reflects that. But Elise’s lovely glass is noticeably different from the other dichro cabs I’ve added to my earlier urban flowers, and I just thought it deserved to go into a “statement” piece! I hope it will find a new home with someone who agrees with me.

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Let’s Be Thankful with the Cranberry Artists Network in 2015

Posted by C Scheftic on 2015/10/07

Cranberry Twp Billboard announcing the Let's Be Thankful show.It’s time for another show sponsored by the Cranberry Artists Network, and I’m very thankful to report that I’ve had two pieces accepted!

The theme of this show is Let’s be Thankful, and I’m displaying my pieces along with the thankful / gratitude quotations that inspired me as I was making them. I chose to use silver this time, because I wanted its preciousness to help represent the value of thankfulness. Having done that, however, I deliberately tried to keep them fairly simple, with just a few special embellishments, to keep the prices as manageable as I could. Much as I love making more elaborate pieces, I really do want to offer items that are reasonably affordable.

Joyful Gratitude is in a domed triangle shape. It contains a carnelian on its concave side, said to represent joyfulness, as one form of the depth and range of feelings associated with gratitude. Its convex side exhibits the heart where such gratitude is felt, and held. It is offered on a sterling silver chain cut and attached to gratefully “hug” the top of the triangle.

The slightly heftier Grateful Gardeners is a highly textured oval piece. Like much of my work, this piece is reversible. In this case, however, there is one side that feels like the front to me: it exhibits yet another heart-shaped texture accented by a nephrite jade, a stone of the heart signifying friendship, and also considered to be a water-stone and thus appropriate for a garden-theme. The side I think of as the back (though it could well be worn to the front!) contains a sort of secret garden of textured embellishments: a heart, a leaf, a flower, and a butterfly.

The opening reception will be tonight, from 6 to 8 pm. If you can’t get over to that, I hope my local-folks can get over at some point during the show. It runs through November 2 in the Cranberry Township Municipal Center on Rochester Road.

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Adding to the stash: some beads too….

Posted by C Scheftic on 2012/11/13

I really had promised myself that I would use up some of the bead stash before acquiring any more items but, sometimes, “opporunities” not worth passing up just seem to appear … which is, of course, the foundation of stashes! The other thing I’ll say is that the photos with this post are not to scale, so I’ll progress from smallest to largest.

The gold-color two-hole beads (first photo, right) really are tiny little seed beads. I had an idea a while ago for something I wanted to try, but hadn’t quite figured out how to make it work. I’m not sure if these will fit the way I want, and I’ve got lots of other things to finish up before starting that exploration. Still, when I’m ready, I’ll have these to experiment with.

The second photo (left) shows a few of the small- to medium-size beads I got at Zelda’s going-out-of-business sale. I’d made a few pieces several years ago where I used up a strand of a larger version of the little sand-tumbled agate beads, and kept telling myself I should get some of the smaller ones. Though I’m sure I could have found them somewhere else, had I looked, it just seemed worth picking them up before they disappeared from the known-source. While looking for them, I “stumbled upon” the bluish dumortierite beads in two different shapes and immediately had a few ideas for those too.

Now, I don’t often buy very big beads. Since I make my own metal “focal beads” that I string with purchased gemstones, I don’t want the stones to overshadow my creations. But, again, as Zelda’s was closing, these large jade and jasper beads (at least 1″ across) were going for such a “good” price, that I figured I’d get them and see what even-bigger items they might inspire.

But the piece in the last photo is the one that prompted me to write about the latest additions to the stash: I like light blue agates in general and I find various kinds of crystals to be interesting, so this blue chalcedony druzy was just too good to resist. It’s well over an inch and a half long, and came from S&S Lapidary at the Bead Mercantile show. I have really no clue how I’ll use it: it clearly deserves to be a focal point on its own, so the challenge will be to design some metal-work that will complement it appropriately.

Then again, challenges are fun. That’s a really big part of what I like most about doing all this!

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