Convergent Series

learning, using & teaching metal clay, and other aspects of life

Posts Tagged ‘texture’

Crazy-busy Season

Posted by C Scheftic on 2014/12/01

Life tends to get crazy-busy this time of year, for multiple reasons, some of which I’m sure you can imagine and others would take too long to explain. So I’m just going to list a few events you may want to know about should you be interested in seeing some of my work in person:


  • November 30 – December 7: H*liday mART at Sweetwater Center for the Arts, Sewickley, PA

  • December 5-6-7: Holiday Gift Shop at the Wilkins School Community Center, Swissvale, PA

  • December 5-6-7: Open House in my Studio, to coincide with WSCC’s Holiday Gift Shop

  • December 13: Open House at the Hoyt Center for the Arts, New Castle, PA

  • December 13-14: Open House in my Studio, to coincide with an Art Studio tour in Regent Square (Swissvale, Pittsburgh, Edgewood, Wilkinsburg), PA

  • For other venues, please see the list of Ongoing locations down the right side of this blog.

If you find yourself missing any of those, no problem. Just get in touch with me: leave a comment on this post, or message me via Convergent Series page on Facebook (and, while you’re at it, a Like there would be very much appreciated…). We’ll find a way for you to explore my creations!

I’m not sure how much else I’ll manage to post this month. But I have new designs in the works, new workshop pieces I’m testing out plus, of course, new variations of ongoing favorites in both those categories … and lots more for 2015! I look forward to posting about all of those in the New Year, and I hope you’ll enjoy reading about them too.

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2013 Art Buzz Tour — This Weekend!

Posted by C Scheftic on 2013/12/14

Have you heard the buzz? Six sites! All in the Pittsburgh area’s “East End” this weekend: Regent Square, Swissvale, and Squirrel Hill. And my studio is one of the locations on it again this year.

I’ve got lots of jewelry on offer, plus a handful of other small adornments.

I also have aloe vera plants that need a new home, babies that i repotted from some of the big ones I keep around. (I do work with hot metals here!) BONUS: small ones are free with a purchase of $35 or more (or a discount can be applied to the price of any of the larger ones if that’s what you prefer).

Plus you’re welcome to share some of my cookies and hot mulled cider. (I also got the makings for cranberry-orange frosties but, with all the snow that’s falling, I’ll save that until there’s a request or I run out of cider, whichever comes first.)

Happy Holidays to all!

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2012 Art Buzz Tour — This Weekend

Posted by C Scheftic on 2012/12/03

Have you heard the buzz? It’s even louder this year! Over forty artists! Seven sites! All in the Pittsburgh area’s “East End” this weekend. And my studio is one of the locations on it again this year.

At WSCC (where I’ll be), the Holiday Gift Shop will still be running downstairs, and I am pretty sure that Daviea Davis will have her glass mosaic studio open too, upstairs across the hall from mine.

2012 Art Buzz Map

If you’re in the area, I sure hope you can stop by. To say, “Hello” and “Happy Holidays” at least. If, for some reason, you can’t get yourself there in person, how about leaving a holiday greeting as a “comment” on this blog post. Even having you say just “Hello” or “Happy Holidays” would be much appreciated!

I look forward to seeing / hearing from you, dear readers, so I can extend my best wishes for this holiday season to you too, in return, in a more personal way.

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Contrasting Textures in a Design

Posted by C Scheftic on 2012/07/10

In my last post I said, about the design of a ring with a butterfly sort of camouflaged against some roses, “I know that the butterfly would stand out more from the flowers if I’d used textures with more contrast.” When I teach, I try to take a few sample pieces to illustrate such a statement, so I thought I’d post a couple of those here too.

Regular readers of this blog will know that I tend to make pieces I consider to be “reversible” ones. One side may well be more “striking” than the other but, even with those, I figure that there are days when a person may want a look that is more or less flashy. Both of the pieces illustrating this post are examples of the “other” side of a piece (so you may see them again at some point if / when I choose to talk about other aspects of their construction.). But both of them illustrate how a simple variation in the texture can help an embellishment to stand out.

The first piece, in bronze, shows a dragonfly with a simple “sandpaper” texture floating over a span of leaves and tendrils. In this case, the colors are simply from “the luck of the kiln” although, if I wanted, I could further differentiate the dragonfly foreground from the leafy background by polishing one and leaving the other untouched. (I’m actually still thinking about whether I may do that.)

The second piece, in fine silver, shows a butterfly with a “smooth” finish impressed into a span of cattails. The liver-of-sulphur (“LOS”) patina that gave me some nice blue edges also helps with the differentiation.

In both cases, the relative plainness of the insect shapes help them to stand out a bit from the deeper textures of the vegetation. Of course, one could also do this the other way ’round, say, with a highly-textured insect on a leaf-shape with just a bit of simple veining.

Hmmm, maybe I’ll make a few of those the next time I go on a pollinator-design binge.

Posted in General Techniques, Teaching Metal Clay | Tagged: , , , , , , | Leave a Comment »

 
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