Convergent Series

learning, using & teaching metal clay, and other aspects of life

Posts Tagged ‘buttons’

Metal Clay: how can beaders and fiber-folks use it too?

Posted by C Scheftic on 2016/09/05

What with all the ‘net-connection issues and photo-sharing dilemmas I’ve been going on about recently, I am waaaay behind in posting about upcoming workshops: sorry! I actually have a bakers-dozen on my schedule already, and I’ll write about the bulk of them as soon as I can. For now however: coming along soon are two metal clay workshops that are not my typical stand-alone jewelry-projects!

Funny thing is, I really didn’t get into this metal clay arena because I wanted to go off making pendants and earrings and bracelets and more. My original goal was simply to find a relatively easy way to make an array of different elements because I couldn’t find ones that I wanted to use in my other creations: bead caps and clasps for my bead-work, buttons for my fiber-work, etc. If you are anything like I was, you should know that my first two classes this month harken back to those beginnings!



Thursday Sept 8, 6-9pm,
Make Your Own Unique Silver Bead Caps
This one is especially for Beaders: Learn to make your own fine silver bead caps, designed to go perfectly with some of the favorite beads in your stash!
Thursday Sept 22, 6-9pm
Silver Button Originals!
This one is especially for Fiber-Artists of all sorts: Hand-made creations deserve hand-made buttons, don’t they?! Whether they will be functional or simply decorative, they might as well be your own hand-made sterling silver treats!

Click on the title of each workshop, above, and it should take you to a page where you can sign up for that particular session. Beginners are welcome! These are fun ways to add both decoration and value to your lovingly-made creations.

Along with my other ‘net- and photo-woes, however, for some reason the folks at Artsmiths who’ve been setting up those registration pages have been adding the sessions, then changing, fixing, and again changing … the names of my classes. Some are showing the names I gave them; others show something that does fit but is not what I was calling them. Who knows? Problem is, the session name shows up in the URL I need to use to add the links! Not to worry, though, I think I’ve (finally!) found a way to add reliable links above but, should they fail, you can also get to them either of these ways (these will require an extra click or two, but they should be more stable…):

I hope I’ll see you there! Then again, if you’re just learning about these now, and the notice is too short for you to make it work with your schedule, let me know!

  • I can find a time to schedule the Bead Caps one again, either at Artsmiths or at my studio. I’m also happy to do one in my studio on making your own toggle clasps: as soon as enough folks tell me they’re interested, I’ll email you about picking a date that will work for everyone.
  • And I plan to hold button-making sessions again when Indie Knit and Spin is on: we’ll be making the same sterling-silver-with-holes buttons on November 12 and, depending on interest, I’ll either repeat that one or lead a session on making shank-style buttons in bronze during their February 25, 2017, gathering. More on those, and other button-options, shortly.

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Buttons, Buttons, Yet More Silver Buttons!

Posted by C Scheftic on 2016/01/12

Did you miss the button-making class at Indie Knit and Spin last November? If so, you’re in luck: I’m offering it again at the February 6 session, from 10 am to 12:30 pm!

We had a great time last year! A number of folks wandering along the hallway, checking the vendors and classes in other rooms, stopped in to see what we were doing and said they wished they’d signed up. There aren’t going to be many (if any) other classes at the February event but, since I’ll be using my own studio (i.e., Cosy doesn’t need to pay to rent another whole room for the class, and WSCC doesn’t need to schedule other events around IKS’s use of yet another of the by-the-hour classrooms), I said I’d be happy to offer this one again.

Please note: You don’t have to make actual buttons in this workshop! If you’d prefer to make a focal piece to serve as an embellishment on your fiber work, or just want to make some other type of decoration, that’s OK too. Unlike most of my workshops, where I make a point of showing how to make two-sided pieces, for buttons which are typically sewn down onto some fabric, we will just be texturing the “front” side of our pieces. But all it takes is a shift in the placement and/or size of the holes we’ll make in our pieces, and you can have another form of decoration for your work or even a few charms, earrings, or a pendant. It’s up to you!

  • For more details, see the Button Making post at the Indie Knit and Spin website.
  • As described there, to sign up for the class, send an email to cosymakes@gmail.com
  • Please sign up by 8 am on Monday, February 1, so I can have time to place an order that morning for enough material to use in the class. Seating is limited but, if spaces remain after that deadline, I’ll allow others in if but only if I have enough material for late-comers to use.


Once again, I forgot to tell Cosy to change the write-up but, as I discussed last fall, I’m planning to use .960 Sterling Silver for the class. If anyone has problems with that alloy, I will have on hand the .999 Fine Silver mentioned in the class description for you to use. The techniques used are the same either way.

(What problems, you may wonder? .999 means it’s 99.9% silver, and only silver; it’s not certified at 100% simply because no manufacturer is going to swear that not even an atom or two of something else managed to sneak in there somehow, but it’s as pure as reasonably possible. Whereas .960 means it’s only 96% silver and 4% copper has deliberately been added, so if you are someone who reacts badly to copper (or to traditional .925 sterling silver, which contains up to 7.5% copper), then you may want to stick to fine silver. It is extremely rare for anyone to have a bad skin-contact reaction to silver alone; most people who say they’re allergic to silver are actually reacting to the copper in sterling (not the silver element itself), or else to some patina chemical or polishing compound applied to their silver (which I am happy to omit for anyone with a sensitivity–there are several products I’ve learned to avoid myself!).)


Here’s looking forward to another fun class with more great participants: it’s only a little over three weeks away now, so please sign up soon.

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Yes, Thank You Indie Knit & Spin!

Posted by C Scheftic on 2015/11/16

As Cosy said at the Indie Knit and Spin site: Thank you to everyone who helped make this fall’s event yet another success: workshop students (mine and others), my fellow teachers, other vendors, all the wonderful shoppers, Cosy who organizes the whole thing, and Patty who first clued me in to this event several years ago.

Though I’d said I could fit in up to six people, I was actually slightly relieved when I learned I’d only need to find space to fit in five: that’s five plus a space for me to do demos! (I was then disappointed when one of the students got the time wrong, and arrived “early” for the end of the class, which is the time she thought it would start; sigh!)

In theory, I can fit 10 to 12 student into my studio comfortably (probably 14 in a pinch, though I’ve never gone that far: I prefer to limit class sizes so I’m sure I can give everyone the attention they need and deserve…), this was the first time I ever tried to fit a class in behind the space I use when I set up a shop!

Once I’d left some room for my shop assistant, Kathy, and for shoppers, not to mention a variety of my creations, the space left for the workshop did get a bit cosy! I managed to capture a snippet of it all in the photo here, though I couldn’t back up enough, nor squeeze into any other corners, to capture the whole space. Oh well, this shot is a nice memento of a lovely morning. I thought everyone in the class did well, and I hope they’re happy with their creations and will consider making more! (I did promise them a free firing if they did.) Also, though I can’t imagine why she’d see this (but I’m going to be vague just in case), I hope the mother of one student is delighted with the Christmas-present pendant her very focused and productive daughter managed to make in the time we had together!

Even more, I hope they’ll show me / us what they’ve done with their creations, whether it’s in a comment here or by bringing them (or at least a photo) for the next Indie Knit & Spin! Cosy may not organize classes for that one but, since I did this in my own room, I can offer another button-making workshop then. Even better, in a way: if there aren’t other classes that people want to dash off to, we can have time for a slightly more complex project: instead of just making holes in our buttons to sew through, we could even explore making shank-style buttons too.

Mark your calendar: that’ll be on Saturday, February 6, 2016!

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Yes, hand-made: Buttons at Indie Knit & Spin!

Posted by C Scheftic on 2015/11/10

The delightful Indie Knit & Spin returns to the Wilkins School Community Center this year on Saturday, November 14, 2015. The marketplace will run from 10 am to 4 pm, and there will be classes running from 9 am to 6 pm!

In one of those classes (10 am to 12:20 pm), I will be teaching how to make your very own silver buttons!

And, you may ask, just how do metal buttons tie into an event aimed at “Everyone who loves to work with beautiful and unique yarn and fiber”? Well, the theory is this: if you’re going to go to all the effort to attend this show in order to obtain fabulous fiber arts products and materials, and then lots more time making your own hand-made creations, doesn’t it make sense to have your own hand-made buttons that you can use on those items?

Though I originally announced this as a workshop using .999 fine silver (at least 99.9% silver; not 100% only because we can’t swear that there aren’t a few atoms of other stuff in there somewhere), upon some reflection it dawned on me that .960 sterling silver (at least 96% silver, with up to 4% copper) would be better for buttons.

In general, I tend to make a lot of pendants and earrings and, in that context, fine silver is a wonderful material to work with. But metals-folks have been adding a touch of copper to silver for ages because that alloy yields a slightly harder, stronger product, and that’s useful for things like rings or bracelets that tend to suffer a bit more from normal wear and tear.

Now, the most typical alloy, called sterling silver, is referred to as .925: i.e., it’s at least 92.5% silver, and the remaining 7.25% is usually just copper, though sometimes other metals will be included with copper in that 7.25% as well. The problem is that alloys with even just that much copper or other metals then require lots of special handling, firing and/or finishing than does true fine silver.

But, there is yet another compormise: .960! That designation means it’s at least 96% silver. With that mix, you get (roughly) 90% of the strength of .925 sterling with almost none of the extra complications!

So I’m now planning to use .960 for the class, though I will have a bit of .999 on hand just in case anyone signed up specifically because I’d said we’d use fine silver. But I’m assuming the students will all be metal clay beginners, and happy to use the product the teacher is recommending for their buttons.

I’d also said that it’d take just a minor adjustment to turn a button-project into one where the person is making charms, earring elements, or small pendants. We can make any of those out of .999 fine silver or .960 sterling silver.

Last I heard, there were still just few seats left. If you’ve been looking for a good introduction to metal clays, why not sign up for that session! Or, if you can’t make it that Saturday, let me know if you’d be interested and able to come over the next day, on Sunday the 15th. I’m hoping to offer another little introductory session then: the focus will be small earring, charm, or pendant pieces.

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Some Bronze Buttons.

Posted by C Scheftic on 2015/03/12

While I was making the little domed disks I used for the charms I mentioned in my last post, I had another small project going, an item I’d made ages ago and had for some time been wanting to make more of: Buttons!

And then, my colleagues in the Western PA Metal Clay guild decided that our project / activity for our January 2015 meeting would be to make bracelets in the style popularized by Chan Luu, where the closing on her signature pieces involves a hand-made button. So now I had the push I needed to return to button-making.

Except our January meeting was cancelled due to weather issues, and the project was pushed forward into the February meeting. I didn’t want to show button pictures until we’d done the guild-project, so I put off posting about it. And then I got bogged down in snow-shoveling, ice-chipping, pothole-damage to the car, etc., until tonight, at last, I found a few minutes to take a few photos to share here.

First (above) is a photo of eight different buttons: three were made from Hadar’s Quick Fire Bronze and five, from her Rose Bronze.

Second (left) is a photo of the bracelet I made during the guild meeting … for which all in attendance offer thanks to our leader-for-the-day, Sharon Shepard! That one includes yet another of my Quick Fire Bronze buttons.

Third, not shown yet, are the backs of any of the buttons. Regular readers of this blog will know that I usually show both sides of the pieces I make. In large part, that’s because I tend to make pieces that are fully reversible. But buttons may or may not be used in ways that are readily reversible. So I made some shank-style buttons (all the ones shown here feature shank-backs) and some other two-hole ones. I hope to write more about all of them eventually.

But I’m not doing that yet: (A) Part of the button-making involved trying out a handful of different techniques for actually making shanks. While I do know enough to be successful at that, in general, my exploration-goals were to (1) examine how easy/difficult the different ways might be and (2) to be able to test whether any particular approaches held up more/less well after longer-term use. And (B) I’m testing them by further by producing samples of ways to use them well beyond just the Chan Luu bracelets, which also takes time to work out.

Why am I going to all that “trouble” when all I needed was one button for one bracelet at one guild meeting? Because the reason I’ve been wanting to spend a few weeks making buttons, and then several months (or more!) testing them out, is because for a long time I’ve been thinking I should put together a button-making workshop!

There are just soooo many great ways to use buttons and button-shaped elements. I’m looking forward to creating a variety of pieces to incorporate those, myself, and to the further inspiration I’ll get from students when I offer the class. I’ll post places, dates, and times here (and elsewhere) once I am satisfied that I’ve done enough testing. After I’ve taught it (once or a few times) then I’ll be more inclined to come back write more about it here. Please stay tuned…!

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