Convergent Series

learning, using & teaching metal clay, and other aspects of life

Archive for the ‘Events’ Category

December Events!

Posted by C Scheftic on 2017/12/04

Enameled Flower EarringsFolks on my mailing list should know about all this already, but here’s what I have happening the rest of this month:

  • Where you can find me in person:

    • Studio Open House: Saturday & Sunday, December 9 & 10, 10 am to 4 pm, in my studio at the WSCC in Regent Square. Please come upstairs and let me know what you think of my new designs! I will, of course, also have plenty of old favorites too! (Also in WSCC that day, downstairs from me, La Dolce Vita Boutique will have all sorts of Italian imports for sale. And just up the street, the Environmental Charter School will be holding their Fair Trade Market!)

    • Guest Artists Show, Saturday, December 16, 10 am to 6 pm, at The Artsmiths of Pittsburgh in Mt. Lebanon. (I’m thrilled to be one of several Artsmiths Artists invited to bring a larger variety of items than we normally have in the shop. If you know me only from there, do come see what else I’ll bring! Or, if you’ve not yet been to Artsmiths, use this as a reason to check out the whole shop + gallery + classroom facility!)

    • SampleProject_LentilBeads_Reversible_KarmaWonderlandMy last workshop of 2017 will be at a new location for me! In my class on Tuesday, December 12, at the Appalachian Rock Shop & Jewelry Emporium up in Harmony, PA, we will be making reversible, hollow, “lentil” style fine silver pendants or beads! (If it’s too late for you to sign up for that aone, I’ll be back there again in March of 2018 with a Woven Silver workshop!)

  • Other places where my art jewelry, colorful ornaments, and more are currently available:

  • I hope I’ll see local folks at one or more of those! If I don’t see you, no matter where you’re from, please know that I’m wishing you all the best for this holiday season and beyond!

    ~~~~~

    p.s., Sorry for the big gap in posting! I have a slew of articles started, in draft form, but for one reason or another (e.g., I may not have photos to illustrate what I’m trying to say; or I have photos but haven’t written the words yet…) I just haven’t managed to get any of them finished and posted. Most of them should still appear eventually!

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Three Fall Open Houses!

Posted by C Scheftic on 2017/09/22

And the first one is a birthday party this Saturday!

What with a lot of travel, gardening, garden-related travel, and more this summer, it’s been way too long since I’ve invited folks over to my studio at the Wilkins School Community Center (WSCC) in Regent Square. But I’m eager to make up for that: I already have three free events lined up there in the next few weeks.

Saturday, Sept 23, 9 am to 1 pm (and beyond!)

  • Everyone at WSCC is celebrating our building’s 90th birthday!
  • Lots of groups and instructors are offering demos and free lessons in all the various rooms, rotating each hour, starting at 9 am, and ending at 1 pm.
  • In my studio, I plan to offer a mix of brief demos and explanations of how I created various pieces, also from 9 to 1. (My very tentative schedule is at the "celebrating" link above.)
  • I’ll also have lots of items for sale.
  • At 1 pm, we’ll gather downstairs to offer a toast to the building, celebrate with cake, and explore its new mural!
  • After that party, I’ll head back upstairs for about another hour, to try to get my demo table back to a space I can work on next week. If you can’t get here before 1, this will be another time for you to come and shop. As long as folks are around and interested, I can stay open until about 3.

Saturday, Oct 14, 4 to 6:30 pm

  • The Regent Square Civic Association’s (RSCA) inaugural Second Saturday in the Square kicks of at WSCC that afternoon!
  • Food trucks, craft beer, live music, children’s activities, and more!
  • So of course, I’ll open my studio for another show then!
  • The RSCA’s event actually runs from 4 to 7 pm. Due to prior commitments both before and after that time, it’s going to be a challenge for me to fit this in. But I will!!! I’ll likely arrive right at 4, and will have to leave no later than 6:30. So please be sure to catch me while I am there that day.

Satuday, Nov 11, 10 am to 4 pm

  • The delightful Indie Knit and Spin (IKS) will be back at WSCC!
  • I’m not an official IKS vendor: my studio just happens to be right in the middle of their wonderful show, so I’ll have my “shop” open then too.
  • Sometimes, but not always, I offer button-making workshops at IKS. I’m not doing that with this one, but I will offer two (one each in silver and bronze) at the North Hills Art Center in October. If you’re interested, please sign up for one or both of those!

If you can’t make it to one of the above three events, just get in touch and let’s arrange another time that will work for both of us!

(I just realized the photo I added to this post
shows my studio from over three years ago:
I need to get a more up-to-date one!)

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NHAC 2017 Fall Members Show

Posted by C Scheftic on 2017/09/08

I’m delighted to report that I have three pieces in the current Members Show at the North Hills Art Center! The pieces were hung as they were accepted last week, but the official “opening” of the show is Saturday, September 9, from 7 to 9 pm, and runs through October 6.

As usual for NHAC, the majority of the entries are paintings. But when I dropped off my art jewelry, I did see fiber art, pottery, mixed media assemblages, and more too! A lot of the pieces were made by students of the center so, if you’re curious about that, this show can also give you an idea of what you might be able to learn in the classes there. If you’re in the area, I hope you’ll stop by to check it out! It would, of course, be great to see you at the opening on Saturday but, if you can’t make it then, do go whenever you can.

I’ve already said a few things about each of my entries, separately, in earlier blog or Facebook posts, but I thought I’d assemble a few thoughts on each of them together here. They are all available for purchase at the show.

GWV!

GWV: Give Women the Vote

If you look closely, you may notice that the flowers in this “rose bronze” bracelet are Green (nephrite jade), White (cubic zirconia), and Violet (amethyst). Embellishments in those colors were a code in Edwardian / Art Nouveau times for Give Women the Vote!

This piece was made before either of my other two in this show, but since then I’ve been holding on to it myself. This is the first time I’ve ever really considered putting it up for sale!

Night Moon

Night Moon (front & side views)

As one of the earlier pieces I made with EZ960 after its introduction in 2016, this was made as a class sample, to illustrate the draping/folding process. But it’s notable to me because it’s the first piece I made using only “scraps” from earlier projects. Obviously, that test was successful!

In draping, sometimes the material tells me the shape it wants to form, and that was definitely the case here! The title of Night Moon comes from how, once the piece was completely finished, it suddenly struck me how much it evoked thoughts of a particular night in June of 1988 (a truly wonderful summer!), when I was climbing (well, at that point, descending) Emeishan, one of the four sacred Buddhist mountains in China.

Keystone Wildflower

Urban Flower: Big Keystone (blue-green glass by Elise)

Yes, this is yet another piece from my Urban Flowers series! Like the earlier ones, this pendant was made using sterling (.960) silver for most of the piece, for strength, and in a separate step the dichroic glass cabochon was attached with fine (.999) silver because that form plays better with glass. It hangs on a sterling (.925) silver chain.

The dichro in this piece is a cabochon made by local glass artist, Elise McVeigh. It is also one of the priciest pieces I’ve had in a show in a good while: that is because, at something like 75 mm across, it is one of the largest pieces I’ve made in a good while too! And big uses a lot of silver, so the price simply reflects that. But Elise’s lovely glass is noticeably different from the other dichro cabs I’ve added to my earlier urban flowers, and I just thought it deserved to go into a “statement” piece! I hope it will find a new home with someone who agrees with me.

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2017 Arts on the Riverwalk – please vote!

Posted by C Scheftic on 2017/09/05

UPDATE: Voting ended at 5 pm on September 9. I didn’t mount quite a big enough Facebook campaign (which really isn’t my style anyway) to claim the $100 people’s choice prize but, as of the last time I was able to check (an hour-ish before the deadline), I had garnered well within the top 10% of votes. So I sure do appreciate the support of everyone who took the time to enter a like-vote on my behalf!

(Also, since it no longer matters, I’ve removed the column of notes on the extra quirks of this particular voting process…. The rest of this post remains as originally written.)

Oh, and the exhibit remains on display at The Confluence cafe through October 26.

I’ve got two pieces in the Arts on the Riverwalk competition, and I’d sure appreciate your vote!

Now, I’ll admit, neither of these pieces were originally made with competition in mind… They were designed as samples for two different classes I taught last fall, and my intention was to illustrate specific technical strategies of construction! In my classes, I also point out that sometimes a design will take a while to tell me what it really wants to be; in the case of these two, they have also taken a while to tell me what they want to be called!

2017_0127_AngledSquareNestWithLinks_and_BronzeDrapedLayeredEmbellished_4037


1. In the pair shown here, the piece positioned towards the left, with a silver pendant on a gunmetal chain, is now titled Overflowing Nest. In the class where I taught that, we covered a range of different “nest-style” constructions, plus I threw in a “bonus” on making links. Time constraints meant I could only illustrate using links this way, as a bail, but the same techniques work for making an entire chain. The other interesting thing about this piece is that it was made for one of the first classes I taught using “EZ960” sterling silver metal clay, and it was made entirely from reconstituted “scraps” that were left over from earlier samples. It’s always good to learn how well different clays do or do not reconstitute, and this sample worked wonderfully.

If you’d like to vote for my “Overflowing Nest” piece, please click to find the instructions here.

(Quick mini-lesson on re-use: Like all clays, scraps can get “worn out” after many re-uses. After just a few repeats, if you’ve treated your clay nicely all along, it’ll be fine. But even after it’s had a long or rough time, it can still be salvaged by mixing little bits of “scrap” in with “fresh” clay! This is one of the things I really appreciate about most metal clays!)


2. The piece towards the right, with a bronze pendant on a brass chain, is now called At a Bend in the River. That main part of this one was also made from a scrap! I’d finished the main demonstration on making a rolled bail on a two-sided piece, but there was a question, so I quickly rolled out another piece of clay to use as an illustration while answering. I was a bit distracted while talking about something raised by yet another student, so I didn’t roll it very straight AND I rolled off the edge of one of the texture sheets with clay squishing out. But I looked at it and exclaimed, “What great luck! This piece just told me how it wants to be built!”

I immediately reversed my plan of which side would be the back or the front, because the place where I’d overshot the texture has that lovely angle-into-smooth look that I just had to put on the outside-front, not tucked under in the back. Since the remaining demonstrations I had planned involved layering elements and how to add a fire-able stone (in this case, a peridot-colored cubic zirconia), I made use of the curve of the piece to embellish it with a piece where I could also talk about design issues for centering, or not centering, any embellishments. Ended up being a very interesting, if unplanned, answer to the original question!


If you’d like to vote for my “At a Bend in the River” piece, please click to find the instructions here.


Also, though I don’t have these specific classes scheduled (yet) for this fall in either of my North Hills or South Hills venues, there’s still time to add a workshop or two in my East End studio. So if you’ve been inspired enough by one (or both) of these to want to learn how to make something like that yourself, please let me know and we can talk about our options!

More on other shows, classes, and more, as soon as I find the time for another chance to post here.

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A Quick Workshops Update

Posted by C Scheftic on 2017/08/09

Well, I managed to get three posts up last month as I traipsed up and down the west coast, even though I got little jewelry made and did very little teaching. (The few exceptions will get their own posts eventually!)

Right now, I’m putting together my fall teaching and show (sales) schedules for September through December. I’ll post full details once I’m sure of all the dates various but, since several folks have asked for updates, the general plan goes something like this:

  • Single Session Workshops: a mix of topics, mostly at either the Artsmiths of Pittsburgh, or in my own Studio;
  • Multi-Session Classes: one series using precious metals (four meetings using either sterling or fine silver; Sept – Oct) and another series using base metals (five meetings using mostly bronzes, possibly accented with some copper or steel; Oct – Nov) at the North Hills Art Center;
  • An Open House (with both demos and pieces for sale) in my studio during the community center‘s big fall open house day, and another Open House to coincide with Indie Knit & Spin (aka IKS).
  • Because of the IKS-day Open House, I don’t plan to hold either type of button-making class at that event this year. But for those wishing to make buttons, I will be offering two separate classes on that at NHAC this fall.
  • There will, of course, be pieces out for sale at all my “usual” locations, Artsmiths, the Hoyt, and Portage Hill.
  • And I’m hoping to have pieces out for sale at various other market-places, though most of that may be more in the Thanksgiving to Christmas range … with details to follow!


  • Then in the new year, I may try to tweak the plan a bit for winter into spring, swapping some multi-session classes into Artsmiths and my studio; and then offering some single session ones at NHAC.

But in addition to just offering a heads-up about what’s to come, there’s another reason for this post. I have a one-day Easy Earring Extravaganza project scheduled for next week, on August 16, and the deadline for you to register is looming!

Although I promote it as being a chance to make several pairs of earrings, what is an earring but an charm or a small pendant or other such element, where the maker may have just put the hole in a different place! Most of my other sessions go into depth on a particular technique applied to one specific design, but the Earring Extravaganza is different: with that one the goal is to help you go a bit more free-form for quantity, where you produce a number of simple pieces, whether that’d be to give yourself a little treat or to grab a chance to get started on holiday-season gifts.

Now, officially, the deadline is a week before the start of the first class, which is a week from the day I’m posting this! So if you want to join in on that one, please register right away!!! Technically, registration should close at the end of the day on Wednesday, August 9, but I think they’ll hold off closing it until early on Thursday morning. As long as I have the count by 10 am on Thursday, I can still get my order for materials in by that vendor’s 11 am cut-off for shipping, and we’ll be fine. Should you happen to try to register later today, or very early tomorrow, before I have to place the order, and for some reason you can’t get the form to work, please just call or email me on Thursday morning (best time would be between 9 and 10 am), and I’ll be glad to help you!

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“Instructors Show” at the North Hills Art Center

Posted by C Scheftic on 2017/07/15

Wow! Another event in the North Hills! Since I only added the Norbth Hills Art Center (NHAC) to my set of teaching venues at the start of 2017, this month provides me with my first opportunity to participate in their annual “Instructor’s Show.”

This post will let you know about the opening of the show, which is, umm, today, Saturday, July 15, from 7 to 9 pm! That just happens to be a few days before I’ll manage to sort out a few specifics of my fall schedule but, as usual, I’ll add them to the bar down the right side of this blog in just a few weeks.

Now, if you’ve already taken a class with me, you probably know that most of them are single-session events: you complete the making of a piece during the class, I fire and tumble-polish it afterwards, and it is returned to the class site about a week later (I am specific about timing in each individual class, depending on my schedule, how much firing time is involved, expected road construction delays, etc.).

And I’ll be offering my two button classes (silver or bronze) exactly that way. In the silver-buttons class, we will make ones that you attach via holes in the surface of the buttons. In the bronze one, you will have the option of using holes or of adding a shank on the back!

Then, the other classes I have on NHAC’s fall schedule are a pair of multi-session, multi-project events: one each in silvers (both fine and sterling silver) and base metals (several bronze formulas and copper). We’ll start out with the basics and add new techniques as we go along. I will fire pieces between classes and bring them to the next session. About half the projects will be similar in the two versions although, with the different metals, the results will be very different. So if you choose to take both, you’ll be able to reinforce your skills in slightly different ways. The other half will be entirely different, chosen to take advantage of the differences among the metals. The base-metals course will have one additional session so we will have enough time to cover a few extra finishing techniques appropriate for those.

~~~~~~~~~~

Note:

I’d’ve sworn I’d queued up a post about this show, but it hasn’t appeared and I don’t see it now, so I must have dreamt that post!

Thus this last-minute re-do is short notice for the opening, but the show itself runs through July 28. I’m posting it from a train as I head off for some family-time this weekend. I hope to update it with photos for these classes, not the one from a different class I taught last year at the Artsmiths of Pittsburgh (just so there’d be something pretty with this post), once I get back and onto my main computer.

So if you are interested in any of those class ideas, feel free to check back for updates, and let me know if you have any questions or other requests. What’s in this instructors show is what I’ll be teaching at NHAC this fall, but I’m still working on my schedule for south and east of the city. I’ll be announcing the rest of my fall schedule in just a few weeks.

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Two More Urban Flowers Burst Into Public View!

Posted by C Scheftic on 2017/07/13

I seem to be talking about a lot of events in Pittsburgh’s North Hills lately. And now that summer is really here, it seems well past any reasonable point to continue procrastinating about another event up that way which started in mid-spring.

The delay: I can find photos of only two (of the four) relevant pieces. I remember taking photos of the other two, but for some reason now can’t find them, haven’t found the time to really look everywhere both possible and impossible, so let’s just go with what we have!

Four of my pieces are (and have been since mid-spring, thus the selections & their titles) in a “traveling show” that is on display at the Northland Public Library through the end of August!

Two (shown here) are pendants from my Urban Flowers collection. Neither one turned out the way I’d originally intended. Both pieces ended up, instead, telling me what they wanted to be!

Urban Flower: Rainbow Bud Itopped with pollen) Urban Flower: Metro Daisy (small, red & clear)
Early Spring Bud
(aka Rainbow Bud with Pollen)
She Loved Seeing the Flower
Spring from the Pavement

I’d imagined the the larger, pastel-rainbow piece of glass going into a large flower. What with one technical issue after another, minor ones individually but still one after another of them, it ended up insisting it didn’t want to be overwhelmed by a lot a silver but, instead, to clearly be the focal point on a bud, just beginning to open, with a little bit of pollen just starting to appear. I’m OK with that.

The bezel around the red glass is exactly as I’d planned, and I was thinking I might use it on one of my other pieces inspired by Hepatica flowers. But I guess I hadn’t paid close-enough attention, because the flower-base I’d planned to use shrank just a tiny bit more than what would work with that piece of glass. It would have been relatively easy to “adjust” things to force all the pieces to fit. But I set the glass and bezel down for a moment to think about the best way to approach that fix and, when I looked up, I saw this flower next to them! Though I’d had other plans for it, I set the center-piece down and it fit in its space so perfectly that I said, “OK, if that’s where you want to go, that’s where you’ll go!”

The other two entry pieces on display (the ones with their pics missing) are movement-earrings: not the ones with layered elements that I call spinners that rotate around a horizontal axis, but the ones I sometimes also call spinners but also refer to as having movement that will rotate around a vertical axis.n Those links don’t go to photos of the pieces in the Northland show but, instead, the second one links to a different pair from several years ago with a comparable mechanism.

It’s been so much fun making all of those (and more in those series) that the seasons have seemed to be speeding by! What about you this year? Please let me know in the comments! Should any of my (local) readers find themselves in that area, please do check out the show and let me know that too!

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Summer Solstice, Raku Party, Artisan Market

Posted by C Scheftic on 2017/06/21

I am really looking forward to the way the North Hills Art Center will celebrate the Summer Solstice tonight … with the opening of their Summer Artisan Market and a Raku Party!

I still have a couple dozen pieces left of the huge batch of Raku pottery I made at IGMA: the video above shows details on a random sample of a dozen from that lot.

Several weeks ago I made a bakers-dozen new pottery pieces out of raku-friendly clay. They’ve since been bisque-fired, so they’ll be ready to put through the Raku-firing process at the party tonight! None of those are like ones in the video: I didn’t want to assume that the set-up there would be appropriate for that particular kind of piece (if you didn’t catch the video when I posted a link to it last summer, check it out now to see what I mean!), so the ones I’ll be firing tonight are items for use in my studio, as I do my own work or by students during classes: a mix of dohgu oki (for tool holders as I work, though these are a bit larger than the hashi oki I typically repurpose that way) and small vases (for tool storage, between sessions). This may well be a round of “no two alike” pieces, where I take advantage of the opportunity to explore the range of new-to-me glazes that will be available tonight.

Three Rivers: Metro MixIf you have never participated in a raku-firing before, know this: Most of the time, when potters or metal clay artists talk about firing something, they refer to loading up a kiln and then going off and doing something else until it finishes. But Raku is not like that! There is a brief period of waiting but, mostly:

Raku reminds me in some ways of torch-firing a piece of metal clay, with smoke and fire, and lots of fun things to observe, and ooohs and aaahs as you get your first glimpse of the firing results, and even more fun once each piece has been brushed / cleaned up.

And, yes, if you’re hesitant, you can observe the smoke and fire parts from a distance. Me, though, I want to be close to the action!

Oh, and there will be lots of action in addition to the Raku-firings. The opening reception for the Summer Artisan Market means there will be snacks and beverages for folks to enjoy while checking out a range of great hand-made products from local artisans. Those wheel-thrown pottery pieces of mine that I mentioned at the top of this post –– on a scale suitable for a doll house or faerie garden –– will be available, along with lots of regular-size pottery from others.

A few of my Urban Flowers and Three Rivers pendants (another new one of the latter is shown with this post), and many more of my styles of neck- and ear-wares will be available. (I really need to remember to take photos after I’ve completely finished assembling my pieces: they do come hung and all ready to wear!)

2015_11_FiveCardHolders_OneGearBusinessCard_PB241207So will dozens of my colorful glass card-holder ornaments! I sell those at the holidays as pieces that can be hung on a tree but, of the ones I’ve kept for myself, I never put them away at the end of that season. Since I’ve decorated then in a whole range of different, bright colors, I weight them down a bit (filling them with rice or lentils), stick little notes, reminders, instructions, or photos in the double-loops on top, and use them to spread bits of cheer around all through the year..

For my local readers, I sure hope I’ll be able to celebrate the Summer Solstice with some of you tonight! If you’re not able to make it for all that fun, but would like to shop at the Summer Artisan Market, it will be open when the center is open through July 8.

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My “Three Rivers” Pendants are back!

Posted by C Scheftic on 2017/06/08

As soon as I heard the theme that Pittsburgh Society of Artists had chosen for their summer show at the FrameHouse & Jask Galleryda burgh — I knew what I had to do!

PSA's postcard for the showI’d had a lot of fun, back in the spring and summer of 2014, when I made a whole series of “Three Rivers” pendants. I started in the spring, figuring out how to make them. Although they all had the same basic idea, with Pittsburgh’s “three rivers” flowing across them, no two were alike. The pieces were different shapes; the “land” and “rivers” were made from different metals textured with different patterns; the rivers might be recessed, inlaid, or overlaid; and some had an extra element, a triangular stone (rounded or pointed, cabochon or faceted) set at the place that locals know as “The Point” (where, in Pittsburgh, the Allegheny and Monongahela Rivers come together to form the Ohio River, which flows down into the Mississippi and, eventually, into the Gulf of Mexico). I sold some of those at the Three Rivers Arts Festival that year. I had two (ones with fewer ‘burgh-specific features) accepted into The Confluence show sponsored by The Hoyt at The Confluence Cafe in New Castle later that summer. (The piece shown, next, left, even earned a Merit Award there!) And I kept selling the rest off in various other shows and shops throughout the rest of that year and the next.

Now, I meant it when I said that I had a lot of fun making them. But some of that “fun” involved facing and overcoming a lot of challenges, doing a lot of problem-solving. I was mixing metals: various bronze formulas along with copper and a couple different steels. And, because those all have different shrinkage rates (and those with stones had extra stresses because the stones do not shrink), there is a certain “failure rate” in the process. What’s a failure? Well, sometimes little cracks appear that are readily fixed, though that results in another whole round of firing, in which there is yet another chance of failure. Other times, however, the cracks are so significant that it’d take more time to fix them than to just make a whole new piece. While I do enjoy the challenge of getting everything to ‘play nice” together, there’s a limit to how much one can add to the “overhead” price of pieces to cover all the time and materials that go into both “research and development” and “unavoidable losses” while keeping the pieces reasonably affordable. So, after a half-year binge, I moved on to other design challenges.

But I kept thinking I wanted to make more, and the PSA theme was just the push I needed. Of course, it’s never simple. Since the last time I made them, I’d been working more with some different metal formulas, so another round of “R&D” was required! Oh, and while I was at it, I had decided to try to develop yet another approach to distinguishing the rivers from the land.

Three Rivers: Metro (their postcard and my entry)In my first few firings, the successes all had the most simple designs; ones that failed had the more complex (and thus more interesting) mixes, and those all failed in ways that I considered beyond repair. Ah, the challenge: I will make this project work!

Oh, and I’d also decided to make these on the larger side. Not huge but, since I was working with base metals (various bronzes, not silver or gold) I could afford to risk pieces that started out around two inches in diameter. (After shrinking during firing, those would end up about 1.75″ across.) I also made some oval pieces, ones that started out at 1.5 by 2.0 inches, and shrank to around 1.3 by 1.75 inches.

Of course, making them that big then limited the number of pieces I could fire in a single load…. Each load does add a small amount to the time I spend, but the real issue is having pieces stack up just waiting to be fired. Since I make one-of-a-kind pieces, and rarely do real production / volume work, I don’t consider that a major issue. It’s not meant as a complaint, but I mention it to explain to some readers why testing that, in a production environment, might be measured in weeks ends up taking me months….

I’m going to keep experimenting with these over the summer, and hope to eventually report on a few more here. In the meantime, though, I’m now presenting the first one that will appear in public, having been accepted the PSA show that opens tomorrow, Friday, June 9! For the piece I submitted to the da burgh jury I decided that, rather than worry about going complex, I’d stick to a simple design and go for a double-hit at the theme:

  1. The design is a basic, overhead view of Pittsburgh and its Three Rivers, AND
  2. The black spinel trillion cabochon set atop the golden bronze metal show the same black & gold of Pittsburgh’s major professional sports teams!

I added a small image of it to my version of PSA’s postcard, above, but here’s a bigger look at it. This is just my basic inventory shot because, silly me, I forgot to take a picture as it appears in the show, hung on a really nice necklace that alternates large loops with short chain segments. To see that, come to the FrameHouse & Jask Gallery this month!

ThreeRivers: Metro Pendant (with Black Spinel Trillion at The Point)

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Will I see you this weekend?

Posted by C Scheftic on 2017/05/20

May 20: Once again, it’s the great, big Regent Square Community Yard Sale … so that’s the day Wilkins School Community Center will have its annual fund-raiser, which this year features “Books, Beer, Plants, and Dogs” … and I’ll have my studio open from around 10 am until at least 2 pm.

Urban Flower: Cinquefoil (Blue Glitter Glass)

Jewelry will be available (at regular prices) plus I’ll be featuring lots of little, potted aloe plants too, and those will be available at yard-sale prices.

I’m at WSCC, upstairs, in Room #25. Please come on over!

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Spring is coming, and more of my Urban Flowers are blooming!

Posted by C Scheftic on 2017/03/07

As I mentioned last October, I’ve been experimenting with different ways of incorporating glass into some of my pendants, while also trying to ensure that the process I use for converting (sintering) the clay-like substance I work with into a proper all-metal construction will yield results that are as strong as possible.

I’ve been having a lot of fun doing that: designing pieces, redesigning them when tests don’t work out as planned, and coming up with more ideas for continued explorations. And, now that spring is approaching, I’m delighted to be able to report that two of my experimental blooms will be allowed to sprout (i.e., have been accepted for display in) two upcoming art shows.

From Dark To Light (their Postcard and my Entry)The Cranberry Artist Network’s late-winter show actually opened last week, but the meet-the-artists reception will be tomorrow, March 8, from 6 to 8 pm. If you’re in the neighborhood, do stop by to see my five-petal flower (along the lines of a “cinquefoil”) with a silvery-blue glittery dicrhoic glass cabochon in the center.

On this particular piece, I decided to not try to emphasize the texures on the petals by adding a darker patina. They will darken with age slowly over time but, for this From Dark to Light show, I thought I’d let viewers consider the strong contrast between the darkness of the glass in the center and the bright-light color of the metal that surrounds it. The presentation of any sort of flower also fits the theme, as plants of various sorts begin to emerge in reaction to the increasing duration of light each day. Finally, the addition of a few little silver balls represent a flower’s pollen to remind us of the importance of pollinators for so much of what we appreciate being grown, whether for sustenance or simply for beauty.

One Night Stand (their Flyer and my Entry)A sort of companion to that is my “double shamrock” piece. It will be on display in a sort of companion show, called One Night Stand (take note: it runs for one night only!), at the Mars Area Public Library on (no joke!) April 1 at a special evening event that will run from 6 to 9 pm. They had in mind that their “art show” would include paintings, but I’m not the only one who submitted other media that was accepted so I’ll be interested to see what all makes it into the displays. I am a big believer in local libraries, so I really hope this show will be a success for them!

I chose to try to enter this piece because of the “companionships” I mentioned above. As with all my Urban Flowers, I know that this one does not accurately represent a shamrock. But when I looked at that lovely green and gold glass, I wanted to make something appropirately green for it. And, having just finished the “cinquefoil” I wanted to try a different mechanism for holding the glass in place … without making yet another cinquefoil. I was fairly happy with how it turned out. (Actually, I was very happy, except that I had to add a four-leaf clover design to the back to get everything as secure as I wanted, which looks great but increased the materials cost, and thus the price, a little more than I’d wanted.) I did add a bit of patina to this one, to help bring out the veining in the petals.

Given what I learned with these two, I’ve got several more in the works now. The latest ones have long, thin petals. Maybe I can get them out on display over the summer…!

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Four-week Intro Class: Deadline Extended!

Posted by C Scheftic on 2017/02/16

Great news! My four-week introductory series on working with silver metal clay still has a few seats available in “Session 2” — from 6 to 9 pm — starting next Thursday (Feb 23) at the North Hills Art Center, and we’ve agreed not to close the registration this afternoon, but leave it open until next Tuesday!

So if you forgot to sign up, there is still time. Or, if you didn’t notice the listing among my classes down the right side of this blog, didn’t check the Classes section of my website, and you’re not on my mailing list nor the one for the North Hills Art Center … well, now you know about the series and that it’s still possible to sign up.

intro class samplesJust register now! Right here!

We’ll cover the basics of designing, texturing, shaping, cutting, and refining pieces. You’ll make a woven piece. And a hollow one (open or closed design: you choice!). With every piece you make, pendant or earrings, you’ll have the option of making it reversible! By the end, we will also have covered various ways to polish and add patinas to your pieces, to help bring out the textured designs. And we’ll have lots of fun doing it all!

For my one- or two-day workshops, registration is usually cut off a week ahead: I need time to order the silver we’ll be using (and I sure don’t want to charge students for overnight shipping)! I have ordered silver clay for those who already signed up for this but, since I’m getting enough to cover all four weeks, I can sneak enough out of that for late-comers to use the first week, and replenish it in time for later evenings.

If you’re in the area, I hope you’ll be able to join us!

big reversible bronze, both sides with CZsAlso please notice (e.g., down the right side of my blog) that this session will be followed at NHAC by a simple, two-night introduction to making a beautiful piece out of bronze metal clay. Registration for that one will close on March 16. (Bronze is a little trickier to work with than silver, so you may end up making only one piece … but the materials cost less, so bronze worth risking for big “statement” pieces!)

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For that last-minute Valentine’s Day gift!

Posted by C Scheftic on 2017/02/12

2016_11_03_DomedHeartBlueBeadEarrings_3761Subscribers to my newsletter already know this, but as I’m tidying up my studio this afternoon I’ll have my big wooden cabinet set up for anyone who’d like to do some last-minute shopping for Valentine’s Day from 4:30 to 6:00 pm.

I don’t have a huge number of Valentine-themed pieces left at this point, but what’s left does cover the whole range from simple earrings to beaded necklaces with hand-made, silver, heart-themed focal beads, and some pieces in between. I will also have a lot more, in a variety of other styles.

Can’t make it to my studio this afternoon? When I was over at The Artsmiths of Pittsburgh yesterday, I noted that they still had in stock a few of my Valentine-themed pieces too. (Artsmiths, and the other sites listed down the side of my blog, do have lots of other items too.)

Really last-minute shoppers have one more option! Though I rarely make it over to the studio on Mondays, this week I should have a chance to spend a couple hours there in the late afternoon / early evening range. That’s Monday the 13th. I’m not promising exact hours for that yet but, if you’d like to shop then, let me know when and I’ll be happy to confirm a time for you!

If you’d like to get updates on when my studio is open for shopping, when I’ll have pieces at other shows, or hear about my upcoming workshops, use the link at the top-right of my blog (and duplicated here for today).

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Yes, Trunk Shows contininue again on Sunday.

Posted by C Scheftic on 2016/12/17

Whew, what a day. Today, Saturday, started out with all news outlets stating, “If you don’t absolutely have to be somewhere this morning, please stay home. Don’t even try to go anywhere for several hours and, if you can wait, then please do wait until late afternoon or even tomorrow.”

Well, I was out the door before 9 am, heading over to The Artsmiths of Pittsburgh to finish setting up for my Trunk Show that started when the place opened at 10 am. And I sure do want to thank everyone who did venture out to Artsmiths today! All the ‘Smiths Shop artists, and especially those of us holding Trunk Shows downstairs, really, really do appreciate your support.

2016_1216_HeartLock_withPinkCZ_3930Four of us have decided that we will go back again on Sunday, in case folks whose schedules were mangled by this weather would appreciate a second chance. We’re already all set up, so why not?! Several of the others who were there today already had different plans for Sunday and have already left, but Paula Nettleship, Samantha Bower, Larissa Graudins, and I will all be there. Since Sunday wasn’t actually advertized as a Trunk Show day, if people don’t come down to see us, we may decide to leave a little early. Artsmiths is open from 12 Noon to 5 pm on Sunday, though some or all of us might start packing up a bit early. So, if you’d like to come find us, I’d suggest you try to make it to Artsmiths betwen 12 Noon and 3 pm. If you want to come later (i.e., after 3 pm, until about 4:45 … to allow at least a little time for shopping until 5), then please just contact one or more of us (or Artsmiths itself) to let us know you’re coming. Any or all of us will be happy to stay as late as the upstairs is open, as long as we know you’ll be coming to join us!

For now, I include one very quick photo of one of the last pieces I finished up last night, a super-simple design but in my usual make-reversible-designs approach, what looks like the top of a lock from this side, actually shows as a heart on the other! It’s still out at Artsmiths so you could hold it in your very own hands tomorrow…and maybe give it as a gift to someone you hold dear in your heart later in the week?

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Wrapping Up 2016…

Posted by C Scheftic on 2016/12/01

Yes, we have a whole month left! The title of this post contains a bad pun … but I’m hoping you’ll wrap up some of my creations as gifts, or receive one wrapped up for you!

Here are places where you can find my art jewelry this December (and you can find me—in person, with extra treats—at those with an asterisk):

  • Holiday Sparkle Art & Craft Market at the North Hills Art Center, now through December 10
  • Holiday mART. Sweetwater Center for the Arts, December 2 – 11
  • Holiday Open House, Hoyt Center for the Arts, is on December 3, 2016, 11 am to 4 pm, and then special holiday sales will continue throughout the rest of the month
  • Studio Open House *, in my studio at the Wilkins School Community Center, December 2 (6-9 pm) and December 3-4 (10 am – 5 pm)
    I’m not promising to be back in my studio all day the following weekend (Dec 10-11) but I’m likely to be there for a few hours at some point. If that’s the only time you can make it, please let me know so we can agree on a time to meet there!
  • Trunk Show *, The Artsmiths of Pittsburgh, December 17 (Officially I’ll be there myself just that day, but check with me if you’d like to come out on either Friday (16th) or Sunday (18th) as I may be there part of those days too. And I have a smaller, but still great, selection in the ‘Smiths Shop year-round!)

And, finally, I’m honored that, as a member of the Pittsburgh Society of Artists, I was able to have one of my pieces selected for display (and for sale) in The New Collective show at the Pittsburgh Center for the Arts. The show runs from November 18, 2016, through February 26, 2017, and I sure hope you’ll be able to get over to see all the wonderful artwork that’s been included. To find my entry, first head upstairs and then turn right, and right again, and then head down the last gallery on the right. My Bronze Bead Shelf is at the end of that, on the left. Since it’s framed for display in the show, so you can see only one side there, here’s what it looks like on both sides:

I hope to see you, or to at least have you see my work, at one or another of those events. If I don’t see you in person, there or somewhere, please know how much I appreciate your interest and support, and that I’m wishing you all the best!

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Holiday Sparkle Art & Craft Market!

Posted by C Scheftic on 2016/11/12

I’m delighted to report that this year some of my creations will be available just north of Pittsburgh in the Holiday Sparkle Art & Craft Market at the North Hills Art Center (whose front facade illustrates this post).

In addition to my jewelry, they have a few of my holiday-season ornaments for sale too. Their front show-room is fairly small, but they have it packed with a wide range of items, most of which are definitely priced for the holiday gift-giving market! (And, yes, a few are priced at special gifts for that special someone!)

I’d like to take a moment to thank some of my friends from the Cranberry Artists Network who told me about this center, and encouraged me to go check it out. If you’re in the ‘burgh and have not been there yet either, this center is at 3432 Babcock Boulevard (which is up near the the north end of Babcock, towards Three Degree Road). The center is open Monday – Saturday, 10 am – 3 pm, and the show runs from November 12 through December 10.

If you’re in the area (and there at the right time), do take a moment to stop in and explore this little treasure.

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The $100 CAN Show

Posted by C Scheftic on 2016/10/13

2012_10_CAN_100Show_postcard_wDatesAndAddress2016_10_CAN_100Show_postcard_imageI had a great time last night at the opening of the Cranberry Artists Network’s (CAN) latest event, the $100 Show. Just in time to jump start your holiday shopping, it’s a Hundred-Dollar Show: everything in the show is priced at an even $100! (Well, to be entirely honest, that’ll be $106 once the tax has been added…)

I have two entries in this show and both pendants are thrilled to be in such good company! (Mine are displayed in the big glass case to the left of the door into the library.) The bronze on copper one already knows who it will be going home with at the end of the show! The all-silver one is still hoping to soon be chosen too … whether it will go off with its new owner or be on its way to becoming a very special gift for someone dear.

Whether you’re buying, or just browsing, if you’re in the area, do take a little break to stop in and explore the many wonderful paintings, photography, ceramics, glass art, and more, all made by artists in south-western Pennsylvania!

[Late November, post-show, update: It seems this was the most successful show that CAN has run! In the end I sold only one of my two entries (the other one will be available for purchase in my studio in December), but a higher proportion of artists had at least one sale than in any previous CAN show! Whether you bought one of my pieces, or that of another artist, I want to offer my sincere Thank You to everyone who found something that they liked enough to purchase it (whether it was made by me or one of my colleagues) and who thereby helped to support your local artists!]

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Carol’s Fall 2016 Workshops at The Artsmiths of Pittsburgh

Posted by C Scheftic on 2016/09/23

To help my local reader or potential visitors with planning their metal clay adventures, here’s a summary of the next round of workshops I have on the schedule at the wonderful Artsmiths of Pittsburgh.  The link at the title for each one takes you to the registration service for it.

For the rest of September and on into October, I’ve chosen to offer a mix of classes where you can learn to create pieces that make a definite statement, or elements to use in more complex designs of your own.

  • Monday, September 26, Noon-5 pm: Sparkle-Dome: Make a Hollow, Reversible Pendant with Bling!
    As mentioned in my last post, “lentil” beads are always gorgeous, and now you can learn to make yours even more special by adding a sparkly cubic zirconia in a simple yet elegant way!
  • Sunday, October 2, 1-4pm: Wrap A Straw in Silver and See What Happens!
    Simple tools can be the best: We’ll texture some silver clay and explore different ways to wrap it around a straw. The end result will be a large, stunning “tube” pendant-bead … unless you’d prefer to make a whole little collection of smaller ones. (The latter make great earrings, but they also pair perfectly with the mini-beads from the October 11 class!)
  • Mini Lentil EarringsTuesday, October 11, Noon-5 pm: Mini-Beads: So Cute You Can’t Stop at Just One!
    Another session making lentil beads, this time learning some of the extra tricks for making little minitature ones! These are great for beaders, or earring-makers, of all sorts. Making these little beads is easy and addictive, and you will find so many different ways to use them. (Hint: they fit wonderfully with the little-tubes you could make in the session on October 2!)
  • Thursday, October 20, 6-9pm: Lovely Silver Nests
    Tiny silver balls are easy and fun to make. They’re a great way for beginners to get a sense of metal clay, and they’re a wonderful way for others to use up bits of clay that’s left at the end of a session. And once you have such a collection, one fun thing to do with them is to collect them into a little “nest” design. (Or, if you prefer, spread them along a coiled “track”!) Explore the possibilities.
  • SimplyStupendousThursday, October 27, 12-4 pm: Simply Stupendous Cylinders
    Whether or not you’ve ever made a tube bead before (which you could have done on October 2), this is the afternoon when you can practice making one or two more and learning how to close one end, which will let you hang them in any of several different ways. (The ones shown in the photo can rotate the whole way around!)

Then, in November, I’ve chosen to focus on sessions were you (yes, you, even if you are a total beginner at this!) can quickly make several simpler pieces … where the emphasis will be on making items you can give as gifts in the coming holiday season:

  • HowCharming_CS_CharmBraceletSaturday November 6, 1-4pm: How Charming!
    OK now, the Holiday Season will be approaching, and you’ll be thinking about gifts, won’t you? But why spend an afternoon shopping, when you can spend it making several adorable little silver charms, ones you can hang from a bracelet, zipper pull, fine chain, earwires, etc. They make wonderful gifts … if you can bear to part with them!
  • SoPrecious_FivePendantsThursday November 17, 6-9pm: So Precious!
    Once again geared for gift-giving, the idea behind this session is to make a very special pendant piece (or two, depending on how carried away you get with embellishing your first one!).

Beginners are welcome at all of these, while the projects are designed so that those with some previous metal clay experience are still likely to learn some new techniques with each one.

Note: the links on each session will open a new browser page where you can read a bit more about each class and register for the session. You may notice some minor discrepancies between what’s shown here and what’s there. Having tried (without success, for technical reasons not worth going into) to set up some the sessions I offer in my studio using the Eventbrite system, I have a LOT of sympathy for the several folks at Artsmiths who worked on setting up the registration pages there. It is not easy! The thing I will say is that the descriptions, date, time, price, etc., on the Eventbrite pages ARE correct. It’s just a few photographs that got mixed up, and a few titles that somehow got changed, from what’s shown above (here is what I submitted for these sessions). So … look at the titles, photos, and summaries here, then click the link and get the full description and registration information there. I hope to see you before autumn has passed!

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Make a Lentil Bead with Extra Sparkle!

Posted by C Scheftic on 2016/09/21

Registration has closed for my class on making silver buttons this week, but if you missed it, don’t worry.  I’ll be offering that one again, in my studio, in November AND I’ve got one on making bronze buttons on the studio schedule for February.  Those dates are set to coincide with Indie Knit & Spin, which is a great event that happens in the building where I have my studio.  More on all that next month … because I’ve got several other great classes lined up before those.

The next one will be at The Artsmiths of Pittsburgh, this Monday, September 26, from Noon to 5 pm.  We’ll make hollow, domed, reversible, silver “lentil-style” beads—one of my most favorite basic shapes to work with!  If you want to add some extra bling to yours, you’ll learn a great way to set a lovely, sparkly cubic zirconia too, using an easy technique that lines up the top of your CZ  with the top of your bead in a very elegant design.

If you’d like to sign up for it, details on how to register are here.

LentilBead_Wonderland_with4pt5mmCZ_2258 Should you arrive early, consider having lunch at the Koolkat Cafe. You’ll want to start out well-nourished, from there or otherwise, so you’ll be ready to have lots of fun for the rest of the afternoon! During our session, there will be no specific time designated for everyone to take a break at once, but each person will reach stopping-points now and then where it’ll make sense to relax briefly.

byProject_LentilBeads_Twilight_with2mmCZ_partiallyPolished_2260The beads shown here are all just under an inch in diameter. That’s a good size to start out with: somewhere between 3/4 and 1.25 inches across.

We’ll be using a silver-rich version of sterling silver!

In class, I’ll help you understand the major differences (both advantages and disadvantages) of fine silver (99.9% silver), standard sterling silver (must have at least 92.5% silver, with the remaining 7.5% usually copper), and our class-clay (which is 96% silver and a mere 4% copper).

This class makes a great introduction to metal clay: the very first piece I ever made with the stuff was a lentil bead! Then again, if you already follow any metal clay discussions online, you’ll know that this “960” sterling silver is still relatively new in clay form but working with it is being explored by many metal clay artisans.  This will be a chance for you to work with it yourself!   Until recently, I taught classes using “999” fine silver; I still use that for a lot of my pieces and classes, and choose among brands and formulations according to which seems to be the best one for the various designs I have in mind.  But I’m thrilled to have a number of “960” versions available now too, as yet another choice, and I’m selecting projects to offer as classes that allow me to highlight the advantages (or avoid the disadvantages) among the many wonderful metal clay varieties that are now available.

I’ve  been doing some additional behind-the-scenes testing of the various forms of 960: don’t hold your breath waiting, but know that those results will appear here eventually too.  In the meantime, besides that testing, I’m keeping busy in this part-time activity of mine through teaching some private lessons, planning for a guest lecturer session next week on metal Art Jewelry for the Costume Design (undergrad) and Costume Production (graduate) programs in the Drama Department at Carnegie Mellon University, and trying to build up inventory for the holiday-sales season.  And the ‘net connection at my studio still varies from wonky to non-existent.  I do have some great 960 information in the writing-queue, and I am trying to get it in condition to be posted!

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Metal Clay: how can beaders and fiber-folks use it too?

Posted by C Scheftic on 2016/09/05

What with all the ‘net-connection issues and photo-sharing dilemmas I’ve been going on about recently, I am waaaay behind in posting about upcoming workshops: sorry! I actually have a bakers-dozen on my schedule already, and I’ll write about the bulk of them as soon as I can. For now however: coming along soon are two metal clay workshops that are not my typical stand-alone jewelry-projects!

Funny thing is, I really didn’t get into this metal clay arena because I wanted to go off making pendants and earrings and bracelets and more. My original goal was simply to find a relatively easy way to make an array of different elements because I couldn’t find ones that I wanted to use in my other creations: bead caps and clasps for my bead-work, buttons for my fiber-work, etc. If you are anything like I was, you should know that my first two classes this month harken back to those beginnings!



Thursday Sept 8, 6-9pm,
Make Your Own Unique Silver Bead Caps
This one is especially for Beaders: Learn to make your own fine silver bead caps, designed to go perfectly with some of the favorite beads in your stash!
Thursday Sept 22, 6-9pm
Silver Button Originals!
This one is especially for Fiber-Artists of all sorts: Hand-made creations deserve hand-made buttons, don’t they?! Whether they will be functional or simply decorative, they might as well be your own hand-made sterling silver treats!

Click on the title of each workshop, above, and it should take you to a page where you can sign up for that particular session. Beginners are welcome! These are fun ways to add both decoration and value to your lovingly-made creations.

Along with my other ‘net- and photo-woes, however, for some reason the folks at Artsmiths who’ve been setting up those registration pages have been adding the sessions, then changing, fixing, and again changing … the names of my classes. Some are showing the names I gave them; others show something that does fit but is not what I was calling them. Who knows? Problem is, the session name shows up in the URL I need to use to add the links! Not to worry, though, I think I’ve (finally!) found a way to add reliable links above but, should they fail, you can also get to them either of these ways (these will require an extra click or two, but they should be more stable…):

I hope I’ll see you there! Then again, if you’re just learning about these now, and the notice is too short for you to make it work with your schedule, let me know!

  • I can find a time to schedule the Bead Caps one again, either at Artsmiths or at my studio. I’m also happy to do one in my studio on making your own toggle clasps: as soon as enough folks tell me they’re interested, I’ll email you about picking a date that will work for everyone.
  • And I plan to hold button-making sessions again when Indie Knit and Spin is on: we’ll be making the same sterling-silver-with-holes buttons on November 12 and, depending on interest, I’ll either repeat that one or lead a session on making shank-style buttons in bronze during their February 25, 2017, gathering. More on those, and other button-options, shortly.

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Picnics, and Parties, and Art Shows, oh my!

Posted by C Scheftic on 2016/07/09

What’s this mythical concept of “lazy days” of summer? Summers just seem so busy, with all sorts of events and happenings and things to do that one really does not want to miss. That’s not a complaint: it’s just a puzzle to me, where the lazy-days idea came from!

Anyway, amidst all the many things to do all summer, this is a super-busy weekend. Since I post here mostly about art & jewelry / teaching & learning types of activities, I’m going to skip over the truly “personal” events this weekend. I can fill a long post with places my jewelry and other art-creations are going themselves this weekend.

  • Arts on the Riverwalk, in New Castle, PA: The art show that the Hoyt Art Center is running at The Confluence, in conjunction with this event, has its opening tonight, 4 to 6 pm. The show itself will run through August 26. I’ve had two pieces accepted for this, one of which is shown below. Although I was thinking of all the ocean-shore walking I’ve done in my life as I created it, I do enjoy walking along any sort of waterfront, so this still seemed to be an appropriate choice for this show:

  • Community Days in Cranberry Township, PA: The Cranberry Township Community Chest and the Cranberry Artists Network are partnering (for the first time this year) on a show in the Cranberry Municipal Building in conjunction with this annual celebration. The opening reception for the show, Martinis with Monet, held on Wednesday night (for which I managed a post on Facebook, but not here…) was the kick-off event for the weekend-long celebration. The show itself will run through August 3. I’m thrilled to have had two pieces accepted for this show, one of which is shown below. I created Flowers Burst Even Through the Garden Paths for several reasons: primarily to honor Monet’s Gardens in line with the theme of the show, but also as one I could use as demonstration pieces for classes (layering, on the title side, and basic stone setting, on the other side) until it took off for Cranberry and, one hopes, a new home:

  • At the Panza Gallery, in Millvale, PA: The Pittsburgh Society of Artists is having a Members Choice show there this summer. The opening reception is tonight, from 6 to 8:30 pm, and then the exhibit will run through July 29, and be open Wednesdays through Fridays 10-5 and Saturdays 10-3. Silly me, I didn’t take photos of my entry before I dropped it off (because I thought I already had several) but now I can’t find any of them. What’s in the show is the latest piece in my Three Rivers series; an early piece from that is shown below. Both of them have bronze rivers (with “expansion joints” designating the major bridges) flowing through copper neighborhoods, with a cubic zirconia noting the location of Point State Park and its fountain. The one in the show has flowery-garden neighborhoods (not the metropolitan geometry of this one), and by the time I made it I was much better at getting the rivers to work as an inlay in the copper, like actual rivers (as compared to the onlay shown here). And it’s on a fancier chain. But anyone seeing one should recognize the other as different but similar / familiar…

  • ArtBrew at the Sweetwater Center for the Arts in Sewickley, PA: Last but certainly not least, from 7 to 10 pm tonight and tonight only (for this year) we have ArtBrew, the Arts & Crafts Fair where the “crafts” are the beers on tap. I was one of just thirty local artists who were invited to provide pieces for sale in the “arts” arena. Some worked in very beer-specific art forms, while others simply created works that the organizers found interesting. I’m in the latter category, and I’ve no clue how my pieces will do, but figured it was worth a shot. Sweetwater is a great place, and I’m happy to support this summer-fundraiser of theirs through commissions on sales of my work. Most of what I submitted are my earrings and pendants. Some were made using typical “metal clay” techniques, while some reflect other directions I’ve also been exploring. There are, for example, some enamel-on-copper pieces that I made on a whim in the spring. And some pendants and earrings, like the silver earring-elements shown below, that were cut out of clay in the “dry but still flexible” state using an electronic cutting machine on a design I created to fit the amount of material I happened to have on hand at the moment:

    I also had a dozen pottery items accepted for this event! I don’t often post about my clay-clay work here, but you can get a glimpse of the twelve I sent to Sweetwater below. Note: you really should click on this photo! I hope everyone who does will let me know (e.g., via a comment, either on this blog or at the photo-sharing site the click will take you to) whether you were surprised at what you found there, or whether, especially if you feel you know me and my interests, it was what you imagined as soon as you saw this photo.

Here’s wishing everyone a pleasant summer weekend, full of kindness and friendship.

And Happy 200th Birthday to Pittsburgh, PA, today too!

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Summer Workshops Galore!

Posted by C Scheftic on 2016/07/03

I’m really excited: The Artsmiths of Pittsburgh has scheduled five of my metal clay workshops in July and August, and two of them are special multiple-day events so I’ll be teaching there for nine days in all during those two summer months!

(Some day, I hope to arrange a lighting set-up that will give me a consistent color background regardless of the time of day when I take my photos … sigh! The shots above show the range from morning to afternoon to after dark at night; and, yes, all of them DID have the same three bright “daylight” bulbs trained on them in addition to the room’s ambient lighting.)

The length of the various sessions does give a hint about the complexity of the different projects, but everything I’ve scheduled at Artsmiths for this summer should be do-able even by complete beginners. The reason I set aside more time for some of them is so that I can welcome even first-time clayers into any of these classes! Folks with some prior experience with metal clay are likely to learn some new techniques, and may well be able to apply their existing knowledge to kick their designs up a notch.

If you follow the links above to get more information and/or sign up for a class, you may notice that the descriptions there often talk about making a pendant (and the corresponding photos show a range of possibilities for how you might construct yours piece). Anyone who’s taken my classes already knows that, while I often demonstrate a pendant design, I’m happy to support reasonable variations on any given project. By reasonable, I mean variations that are appropriate to the materials we will be using, appropriate to the skill level of the student wanting to make something else and, tied to both of those, appropriate in the sense of the amount of support you’ll need to succeed at your idea while also being “fair” to others who are trying to complete the specified project. But I want everyone to make a unique piece they are happy with, so there’s a lot of leeway in exactly what you might make! Get in touch with me directly if you have any questions about that aspect of my classes. Or, just come and make some gorgeous, unique, and (probably) reversible pendants!

Also, if you have time and material left once you’ve completed the main project, I’m always happy to have you make a little something else with what’s left, often a pair of earrings or a few small charms, or even embellishments that you might add to future projects. I’ll fire those along with the regular class pieces.

With my one-day classes, I fire pieces for you after class, tumble-polish them to an even, high shine, and return them to the site of the class in about a week. This time, I’m especially happy about the two- and four-day sessions, because I’ll fire everyone’s pieces before the last session listed and then, on that last day, we’ll review and practice a number of different finishing techniques, ones that often get overlooked in the one-day sessions (unless you schedule a time to come to my studio for a private or semi-private lesson on finishing).

I’m going to try to post a little something about each session in the coming week or two but, given how spotty my blog-posting has been recently, I figured I should get the overview up for you to consider all at once now…

ALSO / alternatively …

Is Mt. Lebanon too far for you? Would you prefer another date and time? I’d be happy to teach any of these classes in my studio (in Regent Square) or at another location (that you arrange). Let me know if you’d like to discuss any other possibilities!

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This Weekend: Open House and More in Regent Square

Posted by C Scheftic on 2016/05/13

Spring is trying to spring and, once again, this Saturday is the annual community-wide Yard Sale organized by the Regent Square Civic Association.

Because there will be all sorts of folks wandering around the neighborhood that day, it’s also the first day of the Wilkins School Community Center’s Spring fundraiser, the Plant, Herb and Used Book Sale, from 8 am to 3 pm. There are tons of books available for $1 each (including lots of children’s- and cook-books) but, if you want any of their plants, it’s usually wise to arrive early.

And, because there will be all sorts of folks wandering around WSCC, at the same time as the Plant & Used Book Sale I’ll hold an Open House in my studio too. If you haven’t been there before, come upstairs and find me in Room #25!

The yard sales start early; the Herb, Plant, and Used Book Sale is advertized in different places at starting at either 8 or 9 am; but I have had a verrry long week, and I’m not promising to get over to Regent Square before 9 am. And, since everything will be in full swing by then, I can’t be sure just when or where I’ll be able to park, so I can’t even promise to have the doors open exactly at 9. I’ve been telling folks that on Saturday my show will start around 9 am, and run until 3 pm.

I’ll have my usual Art Jewelry selections and a small number of Aloe Vera plants for sale too. I see those as consistent with my art because a bit of goo from their leaves is great to put on burns … as in those (hopefully little) mistakes with torch or kiln!

Then, on Sunday from 12 – 3 pm, WSCC will continue their Book Sale: a whole bag for just $5! I have to miss most of that (the very long week continues…), but I should get there a little after 2 pm and plan to stay at least until 5 pm, maybe even until 7 pm. If you can’t get to Regent Square on Saturday, you’d be welcome to stop by on Sunday instead. I led a workshop on Wednesday (another really great evening at The Artsmiths of Pittsburgh!) and will spend time on Saturday making sample pieces for a June workshop there, so my plan is to run the kiln this Sunday. Firing and cooling of students’ pieces and my samples will take until around 5 pm and, if I think I can hold on until 7, I will also tumble-polish them then. (I really hope I can finish both those tasks on Sunday!) I have to be there while all of that happens, but I can do other things, so that’s when I’ll pack up my display materials, and put the majority of my pieces back into their storage bins. But it’d be great to have company, even folks just stopping by to say “Hi!” while I do that. And if you want to shop, you’d be welcome to dig around in my storage bins while they’re all there on Sunday. (Not as nice as when they’re on displays, but they stay clean and safe if I stash most of them and just rotate a few on display while I work…)

And here’s a final note about the aloes especially for my blog-readers: I keep a few because I like having them. They make babies. I drive to stores, buy nice terra cotta pots and potting soil marketed for succulents, and try to recover the costs of my own activities by selling the potted offshoots. But I’m not trying to make money on the plants themselves: I can’t bear to just throw them into the compost bin (and I refuse to put them into trash!); the extras don’t get quite enough light and nowhere near enough winter warmth off to the side im my studio; and I just want them to go to good homes! For years I grew them just fine in whatever plastic pot and soil I had on hand. Soooo, if you want to bring a medium-size pot with some soil in it, I’ll be happy to let you repot one of my aloes into your container for free! (And that’s the case year-round, not just this weekend, as long as I have aloe-offshoots in my studio…)

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May 12, 18, and 21: More Workshops at Artsmiths!

Posted by C Scheftic on 2016/05/07

Happy Mothers Day weekend, everyone!

As I said in my last post in April, I sure had a great time teaching at The Artsmiths of Pittsburgh last month, and I’m thrilled to have been invited back to offer more courses there this May! Here are the three that are on the calendar for this month. Clicking on each course title should take you to a page where you can read a bit more about the projects and, if you want, actually register for the various sessions.

  • Earring Extravaganza: An Introduction to Fine Silver Metal Clay! on Thursday, May 12, from 6 to 9 pm

    This will be the simplest, most fun, yet easy-going introduction to metal clay that’s possible! In three hours, each participant will create lovely, unique, art jewelry: fine silver (.999) earrings!

    There will be lots of options for texture, shape, and small embellishments, so everyone will come out with their own unique pieces. And, we’ll texture both sides, so each pair will be reversible!

    There will definitely be enough time and materials for each participant to make (at least!) two pairs of earrings … but, remember, since they’ll be reversible, it’ll almost be like getting four pairs from just this one class!

  • Reversible Hollow Silver Art Jewelry Pendant, on Wednesday, May 18, from 1 to 5:30 pm

    The very first piece I ever made using metal clay was one of these “lentil shape” beads, and it can be the first one you make too, if you want.

    Then again, even if you’ve been working with the stuff for a while, this project involves a few special techniques that are also applicable for a range of more “advanced” projects … which makes this a special (and easy) project on which to learn and begin practicing them.

    I find that lentil-beads always seem to be such fun to make: join us, if you can, and see for yourself!

  • Reversible Woven-Silver Art Jewelry Pendant (or Earrings), on Saturday, May 21, from 1 to 5:30 pm

    There’s a long story here, not worth going into but, although I’d hoped to offer this class last month, several situations conspired to prevent that. So we simply rescheduled this one for May! I hope that those who had signed up for April will be able to come to this one; plus, there were a few seats still open in that session so there should still be room for some new-comers!

    There are lots of things I love about this woven-silver project. The one I’ll mention here is that this is a great session for people who like to make and / or wear silver pieces that are big! At times, the sheer cost of the materials can seem somewhat intimidating but, because these designs have so much open space, they require far less material. Relative to many other designs or approaches, you can stay small, and keep your material costs down, or go big, and not have those costs skyrocket. Your choice!

As I said last month, there’s no significance to the specifics of dates and times. That is, if you want to take a workshop and those date/time combos don’t work for you right now, please let me (or Artsmiths) know! All of us are trying out different combinations to figure out what will work for folks who are interested in the classes. As long as we know there’s interest, we can work out other day/time combos for future months, either repeating these topics or adding new projects to the offerings. And I’m willing to offer any of them as small (private or semi-private lessons) or group sessions (if enough people express interest) in my Regent Square studio as well as at The Artsmiths of Pittsburgh.

Personally, I think that all of these are lots of fun to make!

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2016 Art All Night — Quick Recap

Posted by C Scheftic on 2016/04/24

That community-wide celebration of creativity know as Art All Night was held this year, as usual, on the last weekend in April. This was the 19th such event, and I’ve been going for something like 15 (or is it 16?) of those. Note: I have not lived in Pittsburgh that long! I stumbled across my first one while I was still living in California, and just happened to be visiting here the weekend it was taking place. In subsequent years, if I was planning a trip here in the first half of the year, I’d do my best to arrange it to include the weekend of Art All Night! After I moved here, I’d refuse invitations to do other things that weekend. Art All Night drew me in again and again!

This year, however, things got tough. I had a piece selected and framed to enter, registered it, and my schedule was open. The latter ended up being a good thing: without going into details, a special person in my life passed away a few days before. So, with calendar clear, I was able to help out with some arrangements, attend the wake and services, etc. (Oh, and for what it’s worth, this was but one of several dear folks I lost in March and April….Sigh.) Although the events associated with this one interfered with Art All Night in general, at least the venue was located between them and my home. I did manage to drop a piece off and pick it back up in the designated hours, and I was even able to pop in for a quick run-around of about 40 minutes on Sunday afternoon (instead of the many hours I typically spend on the Saturday night!). Ten minutes of that was spent talking with some folks I knew, and the rest was a quick dash to view several thousand entries in minutes! Whew!

With that, let me present a few (very few) of the pieces that caught my eye (and my camera’s lens). Small versions should be visible right in this post, but clicking on any of them should open a new window with a larger view.

In some ways a victim of its own success (i.e., as a way to get thousands of people to wander through unused or under-utilised buildings) since the number of enthusiastic entrants and attendees continues to grow, finding a new venue can be a challenge. But finding the venue is easy: just look for the sign:

This greeted people as they approached the entrance ramp on Sunday. There was more chalk art all around the inside, but I suspect this would have been scuffed out even more had it been there at the entrance through the all-night event. (The bottom line says: No angst. No ennui.)

With almost 4,700 squares, the title, “Yep, I impressed my Mom’s Quilting Group” offered a warm welcome to all near the entrance.

This spray-painted Hobbes was the next piece that drew me in, and the title “True Love” did seem to fit it many different ways!

Amidst a dizzying display of the creativity in this community, soon I was catching glimpses of artwork by folks I know. Fellow-Artsmith Audra Azoury’s “Assemblage” (top-center) was the first one I spotted. I’m showing the whole panel it’s on because I also wanted to capture “Sailing Deer Lakes.” Although I don’t know that particular artist nor the specific subjects, it also brought a smile to my face.

Next, I spotted this piece by my metals-buddy, Barbara Kaczor. I wish we could have toured the show together!

In another whole part of the building I caught my neighbor Sabina Rosenfeld’s framed quilt. I got a kick out of the price on it: not because of the exact number she’d used, but that instead of OBO, she’d put “or reasonable offer.” Isn’t that what so many of us want when compromise is necessary: a reasonable offer?!!

This little collection of cats caught my eye too. I captured the image but only later, when I’d run into Sabina and Peter and she said she was looking to find the location of “a board with little cats cut into it,” did I find out that this was the work of Sabina’s brother.

There seemed to be a lot less jewelry this year than there has typically been in the past. I captured images of these two. There were only maybe three others that I couldn’t get (either the lighting was a challenge, or there were too many people hanging out in front of them).

Then, I had to capture these shots for my friend, Sally, with whom I went to a number of Art All Night events, after I moved here and before she moved away. She and her sweetie, John, will know why these brought them to mind.

I am pretty sure that the name given on this entry is that of the photographer who took the picture, not the artist who actually created the image. I love the original, and notice it every time I drive west on Penn Avenue. The wooden railing on the front is an actual railing; the bride who appears to be entering the next unit in the row is actually painted onto the next building.

At another time, while I might have enjoyed the wood-work on this piece, I’m not sure I would have chosen to highlight it. But with all the current uproar over who uses which rest-room, I figured I should note the artistry here, if nothing else, on this single sign:

The whole show took up three huge rooms. I didn’t take all the equipment I can sometimes get my hands on for taking panoramic photos, but I did try to capture a 360° view of the entire northern (river-side) room from what must have been the all-night “dance floor” in the middle of it. Because it’s flattened out, it gives much more weight to the “wall” that appears in the middle than it does to either of the two sides. But there are hundreds of pieces on panels to the left, toward the front of the building, and then almost as many more behind it.

That shot, above, gives you a glimpse of the venue, but no clue of the experience. It was sooooo empty just then, right as they were insisting that everyone had to leave so they could get everything set up for the pick-up process. For most of the 22-hour run, it is packed with participants. I heard a number of people who’d come down on Sunday said they’d tried to come down earlier in the show, and simply could not park and get in, and they’d had to leave and come back several times before they could. (Despite many things I like about Pittsburgh, they’ve been cutting back on public transportation way too much; and when you can’t use it reliably, people use it less and less even during the limited times / places it is available. Because they don’t feel they can count on it. But I digress….)

Each year there seems to be some surprising “trend” among the entries. That is, something I notice being repeated a number of times that is way higher than I might ever have guessed for that style or approach. When I have more time than I did that Sunday, I’ll then trace my steps back and try to capture shots of all the entries that fit the trend. This time, I didn’t have the time, but the following picture sort of illustrates two trends I noticed:

  • A surprising number of entries (relative to the whole show) included seemingly-random patterns of circles.
  • A surprising number of entries by young children (relative to the total number in this category) were displayed in extremely fancy frames!

So, while Livia’s “Spring Chickens” are not exactly random patterns of circles, they are an interesting minor variation on that theme. And the frame on this child’s art does definitely fit the pattern for the work of 6 year olds this year,

I took the time to capture that last photo, above, as I tried to find the right angle at which to shoot the whole panel on which my entry was displayed. Can you find mine?

In case you can’t quite see my entry, The Empress’s Portal, in that shot, I’ll repeat here the close-up I posted a few days ago, the one I took to keep in the records of my creations:

Until next year, then… Be creative!

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This weekend: the nineteenth Art All Night!

Posted by C Scheftic on 2016/04/23

Yes, once again, the last weekend in April brings us the wonderful community celebration of art that is known as Art All Night.

For this, the nineteenth such event, they’ve returned to switching locations again (hey, it’s a project of the Lawrenceville Development Corporation so besides all the art, part of the point is to get tens of thousands of people circulating through an “empty” site in the hopes that someone will see its potential…!), so I’m eager to see what this one will be like.

Though I had finally gotten comfortable with finding my way to, finding parking relatively near, and finding my way back out of the site they’ve used for the last few years, it’ll be interesting to see what it’s like down on the other side of the 40th Street bridge this year. It’ll also be fun to see all the entries.

I submitted a “woven textured silver” piece that I made, originally, as a sample piece for a workshop at The Artsmiths of Pittsburgh. Entering it for Art All Night is sort of a full-circle thing, because I made my first woven silver pieces in 2008, with the clay I’d used while doing my first-ever public demonstrations anywhere that used metal clay, and that was at Art All Night. (Talk about starting big!) I’d over-worked and over-lubricated the clay in the many hours of demos, and I’d heard it might be possible to salvage it by adding some glycerin although the resulting clay would then not harden as it dried but remain flexible … so the obvious thing to try with that was weaving. I’ve made such pieces off an on over the years since then, but I’ve never before entered one in Art All Night. So it seemed about time to do that!

Except this piece, instead of being made from salvaged clay, was made from a mix of fresh clays, PMC Flex and PMC Sterling, to yield a form of sterling silver that contains as much as 96% fine silver. Adding the sterling results in a slightly stronger piece: my earlier ones always had solid “frames” around the weaving which made them strong enough, but the sterling in the mix for a structure like this opens up design opportunities: here, it’s safe to let a few of the ends extend outwards at least a little bit for a more “adventurous” result.

I need to thank Kathy Herbst and Louise Rosenfeld for brainstorming names for this piece, along with Manny Rosenfeld who inspired the name I’ve finally decided to give it: The Empress’s Portal. If you’d like to bid on it at Art All Night, it’s #2919. If you’d like to take a class and learn how to make a piece like this, sign up for one at Artsmiths or get in touch with me to request that I organize one at my studio in Regent Square (or even another venue that you arrange for).

In the meantime, if you’re in the Western PA area this weekend, be sure to check out Art All Night! It’s free and open to the public from 4 pm on Saturday, April 23 straight through until 2 pm on Sunday, April 24. And if you’re not here this weekend, at least consider putting the last weekend in April in Pittsburgh on your calendar for next year!

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April 14, 21, and 26: Workshops at Artsmiths!

Posted by C Scheftic on 2016/04/07

As I mentioned earlier this week, I’m on the schedule to teach three workshops at The Artsmiths of Pittsburgh as they launch their Underground classrooms this month. I feel very honored to be one of the first four instructors invited to teach there, especially knowing the caliber of the other artists in that group!

All of my classes this month are suitable for beginners. Those who already have some experience with metal clays are also welcome to participate and learn new techniques. I’m listing three separate classes here, and you’re invited to take one or two or even all three of them! (Just click on the link for each one, of course, to see more details.)

We’ll make a pendant in each session; if there’s time and interest, participants may want to try making a second pendant or a pair of earrings too. I sure hope that some of my readers here will be able to join us there!

Also, there’s no significance to the specifics of dates and times. That is, if you want to take a workshop and those date/time combos don’t work for you right now, please let me (or Artsmiths) know! All of us are trying out different combinations to figure out what will work. For April, select Tuesday, Thursday, and Saturday slots were the only ones being tried, and there were other events besides classes on some of those days (e.g., the SOS_Underground opening I mentioned in my last post). But, as long as we know there’s interest, we can work out other day/time combos too.

Or, for that matter, you can just come out to my studio for a class too so, if there’s something you really want to try out, please let me know and we can find a time that’ll work for us.

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April 2: Artsmsiths’ Underground Opens!

Posted by C Scheftic on 2016/04/02

The Underground is now open at The Artsmiths of Pittsburgh. The launch was tonight, with a great “SOS_Underground” exhibit by one of Pittsburgh’s oldest guilds, the Society of Sculptors (SOS).

For more photos from the exhibit, feel free to check out the Artsmiths’ album from the show on Facebook.

The opening reception was lots of fun, and the exhibit runs through April 30. Should you go some time this month, it’s possible I’ll see you there. I’ll be heading back down to Artsmiths several more times this month for sure.

Yeah, I probably should admit that what has me most excited about the Underground is that classes are starting at Artsmiths this week!

With great sessions planned from Olga Mihaylova, Nan Loncharich, and Maria Richmond, I’m delighted to report that I’m also on the schedule … to teach classes in one of the underground classrooms on April 14, 21, and 28! More on all that shortly….

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April 1: no joke!

Posted by C Scheftic on 2016/04/01

What a great evening! I’d planned to treat a good friend to a birthday dinner (’twas actually yesterday, but Friday is a better night for going out), although I’d said we’d have to meet in the Lawrenceville neighborhood first because I wanted to go to the opening of the Pittsburgh Society of Artists’ (PSA) Small Works exhibit too. (I knew that’d be ok since this is someone who’s an active supporter of the arts!)

So we walked in, and headed down one aisle admiring the selections. It was fairly crowded at the beginning, but I managed to wave “Hello” to a couple of artists I know. Too far apart for an actual conversation, I was a bit puzzled when, instead of a waved “Hello” in return I got a wave and a mouthed “Congratulations!” What, I thought, am I missing some bit of social etiquette where we congratulate each other for having our works accepted into a show? It was a members-only show, and you could submit either one or two pieces for consideration. Of the 72 artists who’d applied, 45 had been accepted: 15 had two pieces in the show, and 30 had a single piece on display, for a total of 60 pieces. Now, I did have two pieces accepted, but three award-winners had already been announced and I wasn’t one of those. I knew all of that, from the mailing that PSA had sent out to its members, listing everyone whose work was in the show, and an interesting statement from the juror (which you can read there).

And then I turned the corner into the bigger room, and my entries leapt out at me! What in the world had I done to deserve a wall to myself! The photo below is a 270° panorama of three walls of that room. I shot it later in the evening, after the crowd had thinned out enough that you could see some of the artwork from afar. (And, while the artwork stayed in place, some of the people moved around which is why a few of them are partly cut-off or extended…. But the photo is about the art, so I’m using it anyway.) From left to right, there is a wall full of art, then a second wall of a different height with a strip of artworks, then a third wall with windows and a brick wall in between those, with just two pieces … mine.

You should know that these “small works” could be a maximum of 12 inches in any dimension. My pieces, in silver, were much smaller than that, 40 x 28 mm and 39 x 18 mm. (For those who don’t convert millimeters to inches regularly, 18 mm is just under 3/4 of an inch, and 40 mm is just over 1 1/2 inches.) For display purposes, I’d hung them in 10 x 12 inch black shadow boxes that I’d bought because they fit the specs for this show. And there they were, set off from all the paintings and photographs (plus more jewelry and sculpture, all of which was in two “aisles” behind me as I shot this).

I rarely post photos of myself, but here’s one taken of me next to my entries. And, if you look really closely, you’ll see a little red dot on the tag for the piece I’m standing next to, which means that one had already been sold, either as the show was being hung or in the first few minutes that it opened. That was the reason for the congratulations!

To the person who made my evening via their purchase, I want to say “Thank you!” And I hope that many of my fellow-artists will be thanking their purchasers before the show ends, on May 13. If you’re in the Pittsburgh area and want to check it out, it’s at the Framehouse & Jask Gallery.

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“Small Works” with the Pittsburgh Society of Artists

Posted by C Scheftic on 2016/03/27

What can I say … I’ve been busy making, and otherwise enjoying Spring, and over the next few days I’ll finally be reporting some news. Here’s the first item: this afternoon I was notified that two of my fine silver creations have been accepted into the Small Works show that’s being sponsored by the Pittsburgh Society of Artists. It will be held at the Framehouse & Jask Gallery, 100 43rd Street, Pittsburgh PA 15201, from April 1 through May 13, 2016.

Since I normally do work “small” (at least compared to what a lot of other artists do), I knew this was a show I had to try to get into. I thought long and hard about what to enter and finally decided that, while I do have the skills to design and develop intricate and complex pieces, that’s just not the style I like, neither to work in nor to wear myself. So I went for the fairly simple pieces that are more in line with my typical style.

Back in the fall of 2014, I made a series of pieces with “frames” constructed out of the the same material as the “contents” of the piece inside the frame. The first few were assignments in Hadar Jacobson’s teaching-accreditaton program, and then I kept going with more over maybe the next two months. I’ve been meaning to come back to those for a while now, and this silver-framed silver-plume is one of my newest ones. For the PSA show, it’s displayed in a shadow box with just this side showing. It has an integral tube bail, so the other side really is pretty much a “back” side, but it is still fully decorated and finished in my usual “other side” approach. I’ve got a few more silver-framed silver pieces in the works, and will say a bit more about the collection (with photos of both sides) once I’ve finished several more of those.

In recent months, I’ve also been exploring the use of a different approach to my “woven” pieces. In the past, I’ve always made sure that both sides were always securely framed the whole way around. I did that to ensure that the ends were always positioned safely and securely. With my latest weaves, however, I’m resisting the urge to frame them, and seeing how I can make them work in other ways. Woven Silver Banner Reclaimed is one of my newest examples of that. This one is also being displayed in a shadow box for the show, but it is fully reversible, with different textures showing on the strips from each side. And, yes, there will be more coming in the next week or so on the woven-silver pieces too.

But, for the moment at least, let me just wish everyone a Happy Easter. It’s a lovely Spring day where I am, with lots of delightful ways to continue to enjoy the rest of the day outside! I hope that some local folks will be able to make it to the show’s opening reception this Friday, April 1, from 6 to 9 pm or, if not then, at least at some point during the show.

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