Convergent Series

learning, using & teaching metal clay, and other aspects of life

Workshop ideas can come from workshop participants too!

Posted by C Scheftic on 2011/08/27

Jane and Rose, delightful students both, have taken several of my workshops. The last time we were together, Jane asked if I could please offer a workshop on making little fine silver books that could be worn as pendants. Yes, of course, great idea!

I asked Jane to show me sort of what she had in mind, just to be sure we were thinking in compatible ways. Shown with this post, are two of my simplest interpretations of her ideas. I’m working on a few others too, in between everything else that’s a part of life, but I wanted to let folks know this is in the works via a couple of the simplest interpretations, ones that anyone can do. Yes, anyone: that does include even those of you who keep reading and thinking about metal clay without ever trying it to actually see and feel what it’s like!

Before I offer a workshop, I always make a collection of sample pieces. Partly, that’s so participants will be able to see some variations (to get their imaginations going); but, even more, it’s so I can try to do some things right, and some things wrong—I can be sure of what works how and where I can and cannot safely push the limits of what folks might want to try. So far, I’ve focused on the metal covers, not so much the contents. But I believe it’s the inside that makes this project particularly special: you can put anything inside your special little book that you want. You can put in blank pages, and write little notes on them. You can print something out. Or cut pictures or bits of text out of magazines. Or include photographs. Even little bits of pretty fabric, or would work. So could relatively thin “found objects” such as pieces of plastic or metal trimmed to fit. That part is entirely up to you!

In the piece shown above, I used little bits of origami paper, white on one side with a design on the other; you could add drawings or text to the white side, or used papers with patterns on both sides, or…. Note how it hangs from its “binding” loops: that turns out to be a great yet easy way to handle both the “binding” of the book and how to “hang” it as a pendant.

I made another piece, “A Book Full of Love” (shown both closed and fully open) in order to illustrate how you’d actually have to factor in gravity if you wanted the “binding” to run down the side: because the top loop is in a corner, it’s going to want to hang with that at the top, and the rest will just naturally angle down from that. If you want that look (which, conveniently, also helps to keep the book closed), great: gravity just gives it to you! If you don’t, however, then you’ll have to think of other ways to counteract the way it will want to balance. You could, for example, embellish the whole thing with some additional elements (e.g., beadwork), and then dangle some more beads from the bottom hinge piece to pull it down and into place. There are lots of other options too, of course, which is yet another way in which this is a very versatile project. (I’ll get some more photos up, eventually, though it might not be until after the actual workshop….)

Here are a just few other points, to keep you thinking about this: while the jump rings I used to hold everything together in these particular samples are an easy way to do this, what else could you use to bind the pages and covers together? How many places do you want to loop through (these samples used two sets of holes, and then five, respectively) and how much might that vary depending on whether you chose a different mechanism for your binding (or content for your insides)? Where and how do you anticipate this piece being worn: that is, do you need to make sure the pages are waterproof (or, at least, water resistant)? Jane specifically requested a pendant, so that’s what I’m showing in this particular post, but what else might you do with a little silver-covered book? Or what other designs might you come up with, that used a book-binding sort of approach, but didn’t end up being a book at all?

I’ll be working with Rose and Jane in the next few weeks to come up with a time and place to offer this workshop. We’d love to have a few other folks join us, so please let me know if you’re interested.

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