Convergent Series

learning, using & teaching metal clay, and other aspects of life

Posts Tagged ‘travel’

Where I Spent Last Weekend.

Posted by C Scheftic on 2011/09/03

Three Metal Clay guild groups–in Pittsburgh / Western Pennsylvania, Cleveland / NorthEast Ohio, and Columbus Ohio–got together (with the help of a small grant from the PMC Guild) to sponsor four days of workshops, held at the Valley Art Center in Chagrin Falls, OH, over the last full weekend in August this year. (Sorry, but I don’t have links for websites of those Ohio groups. If anyone reading this can provide them, I’ll be happy to add the links here! In the meantime, if you’re trying to find either one, you might try checking the guilds listing at Metal Clay Today.)

One of the features involved a series of workshops by Hawaii-based metal clay artist, Gordon K. Uyehara:

  • “Fabulous Bail Link Bracelet” (two days: Thursday and Friday);
  • “Cosmic Honu” (stencilled turtle) pendant (Saturday); and
  • “Pearl Box Ring” (Sunday).

All the photos with this post show Gordon’s delightful pieces, samples for the various workshops. Two bracelets, above. One turtle is with the bracelets, and a second one is visible on Gordon himself during one of his demos in the ring class. (Click to see a larger version of either of those snapshots, which I took.) And, shown further down this post is one of Gordon’s own photos of an example of his ring project. (Beyond those, if you’re not already familiar with his work, do check his website to get a better clue of his style and range. I remain in awe of the work I know goes into making most of his pieces.)

There were a number of other sessions too, for which I have no photos (sigh…). The other major hands-on workshop, led by Ohio-based artist Catherine Davies Paetz, covered making a series of carved, seamless rings (stackable, if you wanted to wear them that way) using PMC Pro. Other scheduled sessions involved topics like design, photography, and flexshaft maintenance. And there was a big pot-luck dinner on Saturday night.

Now, it just so happens that all this got scheduled over days when I had tons of stuff already going on. And, in fact, I wasn’t the only one! So, while a few people stayed for the entire four days, there were lots of others who did their best to find an opening somewhere in their schedule when they could participate in at least some part of the weekend. Though that posed a bit of a challenge (would all the costs be covered by the registration fees that had been set?!) in another way it was OK: because there were a few openings, it was possible to accommodate requests from others to join the fun, which ended up including folks from Colorado, Maryland, Florida (and those are just the ones I caught; there may have been others).

So, on Saturday I drove up to Franklin, PA, to meet with Alice Walkowski, and we headed over to Chagrin Falls together. On my way to Alice’s, however, I hit a major traffic jam. I knew there was construction and, based on previous trips through that area, I’d factored in a 40 minute delay; online sites I checked en route then told me it would set me back 45 minutes; there is an alternate route, but it normally takes 45-50 minutes longer than the other route and due to lots of traffic lights, so I figured I’d risk the interstate construction for an easy drive the rest of the way. Wrong decision! In reality, that single three-mile stretch added well over two hours to my trip!!!

But we still managed to arrive in Chagrin Falls just in time to make a quick stop at the delightful Village Herb Shop. I wanted to get there because it’s a great source for edible flowers (which you should know by now that I love to cook with). But I mention it here specifically because they also carry the lavender oil that many metal clay artists use in joining pieces of metal! In fact, they carry both the essential oil (alone) and a tincture (with alcohol), in several sizes. I already have a bottle of that, but this time I picked up some organic edible flowers, both in the Village Herb Shop’s special mix (where I may have gotten the last jar of this season!), and some separate, individual varieties (including some delightful little button roses whose petals can go into my next few batches of rose petal ice cream!) Alice is not quite the edible flower fan that I am but, while I shopped, she explored the yarn shop upstairs and the garden outside. So we were both happy with that stop.

After we were done there, we headed over to meet up with all the various guild members for that delicious pot-luck dinner. We spent the night in a near-by hotel, and were thus able to arrive promptly for a 9 am start for Gordon’s “Box Ring with Pearl” workshop. More about that in my next post.

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Fine Silver Butterflies!

Posted by C Scheftic on 2011/08/21

Since I’ve been writing about workshop inspirations, here’s another one: My annual “Fine Silver Butterflies!” workshop is coming up! So many folks signed up for it (this year, I’m offering it down at Zelda’s Bead Kit Company in Bridgeville, PA) that we had to add a second session! With two of them now (both afternoon and evening on Wednesday) I think there may still be a seat or two open, so check it out if you’re interested.

But where did that idea come from? Regular readers of this blog may have picked up the fact that, in addition to my passion for metal clay and related topics, another interest of mine is gardening. And not just my own garden either: I also volunteer with the Penn State Master Gardeners of Allegheny County, which means both helping out in their various Demonstration Gardens, and also helping to prepare materials, give talks, and teach workshops on a range of gardening topics throughout our area.

Before my latest move to PA and joining the PSMG program (as well as visits to Pittsburgh’s Phipps Conservatory with its lovely Butterfly Forest), I lived near a couple of different Monarch Butterfly sanctuaries. The first of those is in Pacific Grove, CA. Later, after a stint in MN, I lived near another such grove in Pismo Beach, CA. (Did you know that those monarchs and their descendants, since they wintered along the Pacific coast, then all summered west of the Rockies? Monarchs that summer all over east of the divide then winter in one specific place in Mexico!) And, although south Florida’s Butterfly World came into being only after I’d headed off in search of cooler climates, when I’d head back south to visit the folks down where I’d grown up, I felt a little bit of relief when I found that sort of development amidst all the seemingly relentless “expansion” there.

All of which made it sort of obvious, to me at least, that when I took up metal clay, I’d then try making some butterflies out of it and even add a Butterflies class to my offerings.

For the workshops, it took me a little while to collect a reasonable number of butterfly stamps and cutters and such so participants would have a nice set of choices, but I’ve been offering this workshop each summer for several years now. (I schedule them then, but am happy to offer this at other times of the year if people request it.) In addition to my usual metal clay handouts, I get some brochures from the Penn State extension office on butterflies and other pollinators, and I provide a few links to information that’s online. (I mention our pollinator-friendly program with respect to bees too, since they seem to be having such a hard time with their colony collapse disorder these past few years, and it seems increasingly important to mention those as well.) Workshop participants are welcome to take brochures home with them if they want, and to look at some of the butterfly (and insect) books I bring along. During the moments in the hands-on time when everyone is working but some chatter still goes on, I provide an introduction to the value, care, and feeding of pollinators.

I usually take with me a good number of lovely but fairly simple examples (such as the ones that accompany this post) plus a couple more advanced samples. I find it interesting to watch the choices participants make: do they stick with simpler designs and go for quantity; do they focus on one piece but add more intrigue and complexity to it (e.g., using shaped drying forms, adding movement mechanisms, constructing detailed little 3-part butterfly-bodies and antennae, etc.); do they make only butterflies or add one or more flowers to hold or accompany that piece?

Even if these fine silver butterflies do not themselves contribute to the important task of plant pollination, it’s my ongoing hope that the wearing of them—along with the relevant gardening information provided in the class—will help to both draw attention to, and spread the word about, the value of these wonderful little creatures in real life.

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Fine Silver Butterflies.

Posted by C Scheftic on 2010/06/28

Periodically I teach a beginning metal clay workshop on Fine Silver Butterflies. I had a wonderful time at one of those this past Saturday, at the delightful Your Beading Heart in Irwin, PA. (Follow owner-Linda’s directions, but not your GPS, if you want to find the place!)

This is a very wide-open, do-what-you-want, workshop, but the butterfly-theme gives us a definite starting-point for our designs. In all my beginner classes, I take an assortment of tools for participants to use, and samples for them to consider if they want. I have neither the space nor time to haul everything around to each workshop but, for the Butterflies class, I make a point of taking all the butterfly-related doo-dads that I have: texture sheets, stamps, pastry cutters, paper punches, etc. Folks can make one or more of: pendants, charms, earrings, key fobs, etc.

(I’ll try to remember to revise this post by adding a photo once they’ve been fired…) I meant to add a photo once they’ve been fired but then I was so eager to get them back to their makers that, sigh, I forgot that step.

I also take other textures, cutters, and such, in case someone comes because they were really interested in the beginner-class, not so much inspired by the butterflies themselves. (The one person in Saturday’s class who fell into that category wanted to make a piece in a shape for which I have an ideal drying-form which, of course, I’d left out of my kit when I added the extra butterfly-theme items! Not to worry, though, we improvised quite well. Have I ever mentioned how much I love this medium for its flexibility?)

Out in my garden at this time of year, however, I start trying to figure out how to make pieces that resemble lightning bugs. I can sculpt the creatures themselves, but how might I best represent their intermittent light, their lovely glow, their gentle motion? I haven’t yet come up with a solution I like for that.

I lived in England for several years and, much as I loved other aspects of gardening in that green land, during my time there I did miss the blinking yellow courtship signals of these critters. (Even though I know about variations in native species, I was stunned to realize they didn’t have lightning bugs! And I’ve encouraged friends I made there to come over at this time of year, to experience for themselves what I was talking about.)

I also spent one spring and early-summer in China. (The photo shows our lodgings near Baoguosi. It was taken one afternoon, walking back from Southwestern Jiaotong University, a day or two before we headed up Emei Shan.) Here, we slept under mosquito-netting while watching the lightning bugs flitter around the room, glowing in a wonderful pale green color. What a delightful surprise that was!

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